I care so much about fashion that I don't care. I'm like anybody else - if I have an important place to go and I want to look good, I try on a thousand outfits and they all end up on my floor and I come out wearing jeans and Adidas.
I'm definitely not a guy that comes in the dressing room saying, "Hey, everybody, what a wonderful life." I'm usually brooding about something I think is wrong. I care so much about getting the music right, and if I think someone's slacking I get very upset about that. I just can't go on stage and say, "Another day, another dollar," which I've heard a few people say: I can't go along with that at all. It's got to be as good as you can do - to my own detriment.
I'm an old man, and I want to lay out what I think I understand. With poems like "Traitor," I'm examining my feelings, my convictions, my understanding of the world, and testing whether they're really true. So that when you hang your holster up, you can make a judgment on whether you have any integrity at all. That's what I care about. That's why I wrote it. If I can't write that poem, then I've got it wrong somehow.
As a producer, I really get to tell stories that I care about in a way that I want to. I get to shape them. I get to choose the collaborators. That's really gratifying as a storyteller. And also, frankly, it's really fun to create jobs for other people.
I care about facts the way I care about oxygen and imbibing enough water a day to live.
Maybe [I care about language] because I'm an editor, maybe because I'm picky, but it's all we got, don't shrink it. Don't dumb it out, make it little.
All I care about is free speech and free expression; I want people to be able to be, do, and say anything.
Politics will take whatever shape it needs for people to get elected. But at the end of the day, the population remains and that's really, as an educator, who I care about.
I would prefer not to be living with anyone, really. Like, as much as I care for my special friend, I don't want to live with her.
All I care about really is writing something worthwhile for children, something that will engage them in some way and stimulates in them a sense of wonder.
I'd have to say the best part of being successful is being able to take care of my mom so she never has to worry about anything again and also being able to put my friends and people I care about in positions to win.
If I didn't end up talking about the things that I care about, I wouldn't be myself. I didn't like the idea that I would be a different person on the internet than I would be in real life. And I see people struggling. I see people who face prejudice and people who feel invisible. And I recognize that I already have a built-in platform that I can utilize so easily to actually do something.
I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
There's great poetry in the Old Testament and the New Testament. And I'm not interested in trying to prove whether this paragraph is as it was or as it should have been or should not be. My pursuit is to find the truth for me in those stories and make them apropos. The important thing is that people wrote them. These were inspirational stories, and you got to see them that way. If you don't, you'll get in trouble. So I'm not going to spend a lot of time trying to find out whether or not Mary was a virgin. What do I care about Mary being a virgin?
I've spent years studying words. Linguistics, language, the power of words, the power of phrases on human beings. All of that. It's part of my, almost obsessive, fascination. It turns out that there are some keys that we all need to know about how conversations impact us, because they do at a chemical level. There are certain things that if we learned this, it would totally change our interactions with others, and that's the following. There are certain words that have a feeling of, "I love you, I care for you, you're in my tribe."
My job never actually leaves me. I watch people who come home from work at six and they're done, and that seems crazy. Then again, they have to get up at seven and go to work, to a job that maybe they don't really care about, and I get to do something that I care about.
I care very much about all of my characters, recurring or not. I try to imagine something about that person beyond his or her physical appearance. After creating them, part of my job is to inhabit them and try to see their world from their perspective.
I don't think independance of Catalonia would have any great positive or negative impact on the rest of the world. As an internationalist, I don't really care if they are separate from Spain or not, or whether they are even richer than they already are, as I care much more about what is happening in places such as Afghanistan, Venezuela or North Korea.
When you're working with other artists, it's often a mix of your ideas with somebody else's, which can be extremely fruitful. But then it's also interesting to present the completely undiluted vision of what I imagine music could be. I care about both my own music and collaboration equally, and I pretty much split my time equally, as well.
If you try to make interesting films, you're going to be disappointed most of the time. I choose just not to look at it that way. I don't look at American History X as a failure, or Fight Club as a failure, or 25th Hour as a failure, or Larry Flynt as a failure, or any of the movies that I care about that I've made that were not immediately successful. I'll stand with those movies any day over 90 percent of the movies that came out at the same time that made a hundred million dollars
It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
I feel like we've inherited modern infrastructure, and I could run away from it and become a full-time activist, or I can try to do my job, and try to talk about things I care about, and be able to do something like sponsor a topsoil conference in Nova Scotia, and talk about Bill McKibben, and narrate a documentary about the vanishing of the bees, and try to navigate my way through this world the best way possible. That's what I'm trying to figure out. Probably like many people right now.
I would much prefer to be overseas in a covert capacity working on issues, but that is hypothetical. That is no longer open to me. So if I can use my voice in this manner, and talk about something that I care about, then I feel fortunate.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.
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