When I moved to New York in my 20s, I didn't have an obnoxious ego, but it was huge! I'll thought, "I'll never die and I can do anything."
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
I loved working with Malcolm [McDowell]. He's been such an important person in my life. I mean, not just as someone I was married to, which is huge, and the father of my children, which is even bigger, but also as a friend and an inspiration and somebody who probably helped to fuel something that all my reading as a child had already started, which was a love of England and the world of the theater over there, which I became involved with through him and probably because of him.
You didn't have to be a huge rock star; you just had to do well enough to continue doing what you wanted to do. It wasn't about hitting the jackpot, it was about sustainability.
The first show I ever saw was Meat Loaf, and it was on the Bat Out of Hell tour. Meat Loaf actually had a huge 20-foot bat behind him. Smoke came out of the bat's nose and his eyes glowed red - which is still one of the most mindblowing productions I've ever seen.
I come from a huge family. I am used to taking orders and being told what to do and not having an opinion, but I think that what I've gone through made me really sensitive to other people.
I hope that people will be held accountable, even if accountability just means naming it and letting the citizens of the country know where you're at. I think that has a huge impact on the way people think.
The lo-fi scene and the riot grrrl thing had a huge influence on me. As a teenager I went to see Bikini Kill and all those bands.
I spent a lot of time developing in books why worshipping separately actually impacts inequality, economic, social, on and on. So I really do believe there are huge advantages to being together even though it's difficult, even though we have a lot to learn.
I do think that music videos have a huge impact on the way you listen to music.
Without a doubt, Robert Rodriguez is the reason I was drawn to it. The fact that he even knew who I was and then was interested in me for the role was amazing. I am a huge fan of his and it's like a bucket list thing for me to be able to work with him and knowing that Jessica Alba and Jeremy Piven were in it I knew that part was going to be good and as you said, the pedigree of the series was great, so it was really one of those things I couldn't resist.
I do think that our culture or our psyche as a country I guess, the world or whatever, we're due for a huge event. We're due for a little bit of a revolution or a spotlight or a movement. Something that feels large, something that feels like the 60s. Some sort of unification.
The banks, because of mismanagement, because of huge risk taking, are now in very vulnerable positions. We can expect that we're gonna have to do more to shore up the financial system. We also are gonna have to make sure that we set up financial regulations so that not only does this never happen again, but you start having some sort of - trust in how the credit markets work again.
I remember stepping off and thinking that it might not be a good idea to let anyone know that I'm a homosexual, which is hilarious because I'm probably the gayest man I know. I had these huge dreams and they came to fruition so quickly.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
Someone asked me the other day, 'Do you get upset when people say you are the young Frank Sinatra?' It doesn't upset me. It is a huge compliment, but it is false.
Western Costume, and the old Universal wardrobe that is huge and they're getting rid of so much of it now, which is sad.
You want to see the joy in people, and you want to see the person that always dreamt of being a star, you know? You want to see people having a great time. So Mariah Carey is a huge fan of George Michael.
I'm a huge fan of the Rod Serling sci-fi, where they could take the most odd and enormous ideas but ground them in something very human.
We made basement practice songs.To have them presented in such a huge fashion today - like at Primavera, where it's thousands of people in a festival environment - is surreal. I never thought some of the songs would ever need to be projected at such a volume or to such a wide span of people.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.
People are going to be way more patient listening to what I have to say now. I don't have five seconds to get their attention, I have five minutes. That's a huge window.
American culture never necessarily made sense to me, but they should warn you: leaving comes with a huge sense of alienation that never goes away.
The process of globalization has now interconnected almost everything ranging from financial markets to transport networks to communication systems in a huge system that no one really understands.
At some point, the world is going to have to bite the bullet and accept a huge downsizing in its way of life to bring the assets-to-debt ratio back in touch with reality.
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