The Greeks according to official history used letters for hundreds, for tens, and ones.It was extremely complicated. If you talk about Archimedes, you should use Greek letters.
Political uncertainty around the world has more than doubled since the election of Trump. To find anything comparable we have to go way back, to the late 1920s for example, the times of the Great Depression. Or think of the United Kingdom in the 1970s, when the International Monetary Fund had to help the country out with a dramatic rescue operation. Up until the Greek crisis, that was the last time that the IMF was forced to intervene to such an extent in Europe.
I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
The gods in Yoruba mythology are not remote at all. They're benign, they're malign, they are mischievous, like Eshu for instance, tricksters, rascally, fornicators, that's a similarity to Greek mythology, for instance, you know. They're not saints, they're not saints. They're powerful. It's why they're not tyrannical. Of course, a number of them are also very, you know, benevolent, you know, there are saintly virtues to be found in them.
The Greek word for Christ is Kristos, which is, let's face it, Krishna, and Kristos is the same name actually.
There is a word Kristos in the Greek dictionary, and this word is supposed to be borrowed from the Sanskrit word "Krishna," and Christ is derived from Kristos.
The concept of an "architect" is one of the oldest professions in the world. Whereas, some professions, such as a "lawyer", have their roots in Latin, "Archi - tecton" is actually a Greek word, and much older. Just knowing how old the profession is gives me hope that we will still exist for years to come, even if we are changing.
These three qualities I recommend to you; tenacity, goodness, and intelligence. They are as valuable today as they were in the time of the ancient Greeks, Romans and during the renaissance. They will help make you good professionals.
I just always loved mythology, ever since I was a kid. Greek mythology was something I remember learning about in fourth grade, and Egypt, too, and something about both those things just clicked with me. I just thought they both were so beautiful and interesting to learn about.
What we're trying to do as writers is rescue, preserve this space of thoughtfulness of language, of a deeper and more honest appreciation of our reality. And, so, we have to work even harder as writers against this tide of silliness, against this tide of superficiality, against this horrible Greek chorus on Twitter where everyone is insulting each other and now we have an insulter-in-chief, who's risen to the presidency by insulting people.
I think that the real tragedy of Greece - aside of the savagery of European bureaucracy, Brussels bureaucracy and northern banks, which was really savage - is that the Greek crisis didn't have to erupt. It could have been taken care of pretty easily at the very beginning. But it happened and Syriza came into office with a declared commitment to combat it, and in fact as I recall they actually called a referendum, which horrified Europe.
Greece, alone, is in a very vulnerable position. If the Greeks had had support from progressive left and popular forces elsewhere in Europe they might have been able to resist the demands of the Troika, but they had almost no support. Not even from Portugal, Spain, or other left forces. They were left alone.
We should recall that during the Second World War and the Great Depression there was an upsurge in popular, radical democracy. In all over the world. It took different forms, but it was there, everywhere. In Greece it was in the Greek revolution, and so on. And it had to be crushed. In countries like Greece, it was crushed by violence. In countries like Italy, where the US forces entered in 1943, it was crushed by attacking and destroying the anti-German partisans and restoring the traditional order.
If there is a Greek exit from the Eurozone, I think the German elite will be quite pleased that they can then use that to restructure the Eurozone and make it a zone where only strong countries are allowed in. There would then be two tiers within the European Union, which is in fact already happening. But you cannot simply get rid of German control by raising the specter of the Third Reich. That's ahistorical.
In building up a democratic model I think that Cuba's contribution, little by little, has contributed to getting closer to the ideals of those philosophers, of those Greeks who thought about how a society could be fairer, how a society could really represent the interests of the people. We have tried to get closer to that from a Latin-American perspective and from the Cuban perspective.
Percy France told me, similarly, he and Bird used to hang out. They were good buddies. And he said, "Man, we'd just walk through town, sometimes with our horns. And we'd walk by past an Irish bar. And you'd stand outside and check out the music. And Bird would go in and sit in with these traditional Irish musicians. Then we'd past a Greek restaurant and we'd hear that. And Charles "Bird" Parker would go sit in with those guys. He was just listening to everything, reacting to everything.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
You have to pay so much to see theater, even in Chicago. In the Greek theater, you didn't have to pay anything. You actually had to go, and you just sat there all day.
Europe is war. Economic war. It is the increase of hostilities between the countries. Germans are denigrated as being cruel, the Greeks as fraudsters, the French as lazy. Ms. Merkel can't travel to any European country without being protected by hundreds of police. That is not brotherhood.
The puzzle and conundrums of Emily Dickinson's poetry or The Cantos, by Ezra Pound, is infinitely pleasurable. Or Ronald Johnson's Ark. And the experience extends a whole lifetime. But the intensity of certain vocalized language affects our bodies in a particular way, and that further actualization propels me. The Greeks explored this; there were very particular meters used in making war, different ones for a love chant.
I look at Playtone, the company that produced My Big Fat Greek Wedding. I call them my Playtoners. They are the kindest people who treated me like gold before that movie made a dime. We became personal friends. When I think about how lovely and wonderful they are that convinces me that you don't have to make a deal with the devil to succeed. It's a choice.
What I tried to show is that this idea of this fundamental conflict between savagery and civilization goes back to the very beginnings of Western history. I go back to the Greeks, I go back to the Romans. You can read Homer. And of course Homer has his great heroes involved in this myth, this wonderful mythic contest with savage tribal peoples, half-human monsters on distant parts of the world.
Latino actors and actresses have had to struggle for decades, but when I came around with Real Women Have Curves, attitudes were starting to change. We screened the film all over the world - in Jewish communities, black communities, Greek communities, German communities - and people across the board said, "That's my family."
Mancil Travis - I have always had a fascination with this character from my hometown. When I put pen to paper to recount stories I knew of him, I kept hearing this dream sequence in my head that was Willie Sugarcapps harmonies singing like a Greek chorus, "White carnations."
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