The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
I like to use my Larry Bird analogy, because I'm from Boston. It must have been frustrating playing behind Larry Bird. Because no matter what happens, good or bad, he's the guy. And you've got no chance of getting in. That's just the way it is. It's tough to play behind a future Hall of Famer.
As frustrating as it gets, at times, and as frustrating as it is, at times, I don't think I've ever considered doing something else, or not wanted to do it anymore. To me, it's just the greatest job. It's a good fit for who I am and what I want to be.
And all the women are feminine, so we never get to see masculine presenting women and we never get to frame that as beautiful, which it is, and that's incredibly frustrating, so for every gain or benefit that the internet offers there is a liability.
It's frustrating when people get upset with me about not going out to DVD - the reason is that I plan to tour with the films for many, many years, not just a month or a week. Literally years. And as soon as I would put it out on DVD, it would ruin the financial possibilities of me making it a theatrical event. Whereas the book, the publishing of a screenplay, would not cause that problem.
I think it is kind of important to direct someone so the character is appealing, but, as an actress, I find it frustrating because I think, "Why do I have to be more likable than a man would have to be saying the same line?"
The pursuit of excellence is gratifying and healthy. The pursuit of perfection is frustrating, neurotic, and a terrible waste of time.
When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
I can't remember my dreams more than a couple of seconds after I wake up. It's frustrating because sometimes I dream that I'm watching a really good movie.
What makes it frustrating is when a director or a studio head doesn't see me for the same part that they'll see, let's say, Drew Barrymore for. Drew's a great friend of mine. But it's like, "No, we want more of an American type of girl."
It's frustrating me - that booty is gonna sag at some point. And if you allow enough people to come inside your physical space, they leave traces.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
There have been many frustrating games. I don't there's going to be another one that isn't frustrating. That happens, but that's sport. Otherwise why would there be so much glory in victory.
I understand that in the industry, a lot of it isn't real. Which is a difficult thing. Where I come from a lot of people are straightforward and I've had to learn how to not say exactly what I feel. Sometimes it gets frustrating being a person who says what he feels and what his heart is telling him. Every once in a while I fall into letting the industry get the best of me and not just saying exactly what I feel.
When I revealed the campaign, some lady in the front row, a photographer, asked "is that airbrushed?" So I just lifted my shirt up and my stomach was the exact same thing as in the ads. It was actually kinda nice that she said that, because I'm sure plenty of people probably thought that. That's one of the reasons I did it - especially when you work so hard to get your body to look like that - it's frustrating.
The touring thing is such a huge time commitment. I'm really feeling like I want to start writing and recording music again. But I have to leave for tour tomorrow. That's kind of frustrating; at the end of the day, you're plugging into this lifestyle. It's the "band lifestyle," and that's weird! I would like for touring to be creative in its own right.
I probably complained more when I was younger. The movie industry can be frustrating but I think sometimes I could have been more helpful, approaching a film as a partnership rather than being critical of a director's ignorance. I wasn't sensitive to the fact that it's very hard to direct.
I don't watch the nightly newscasts on TV . . . nor do I watch the endless hours of people giving their opinion about things. I don't read the editorial pages; I don't read the columnists. It can be a frustrating experience to pay attention to somebody's false opinion.
What connects me so strongly to Israel is the fact that I'm second generation. My parents said, "We have a place where we can just be ourselves and nobody says, 'Don't tell me your opinion, you damn Jew, go somewhere else.'" Then you go to this country and other Jews tell you to shut up. It's frustrating. I think that we have a bad government and that some people are fearful. They're going with the class bully. But I really truly believe - you read it in my stories - that deep inside, people have goodness.
I came to nonfiction through journalism. My first book was journalism, and it was so frustrating to me, while I was writing it, that I wasn't capturing the moments the way they were when I lived them; I was filtering and re-filtering. I had to come to terms with the fact that I couldn't and shouldn't claim authenticity. Then, when the book was published and I gave readings, I'd hear myself read and it was like I was eavesdropping on a dream - even with myself as the narrator. I knew that guy but couldn't exactly recognize him.
I think a lot about race and the burdens of representation. There's an idea that because I'm writing a book set around the time of the Great Migration, and happen to be black, I'm trying to write a definitive account of the Great Migration, the so-called "black experience." That's not what I'm doing, and it can be frustrating.
When you are conjoined at the head with another person, it is so frustrating and so painful that you hate the person who keeps you all the time attached to him/her, but he/she also hates you.
Every album has a thing where it's like, "How are we going to marry our four ideas and personalities?" The older we get, the more people become comfortable with their strengths and weaknesses. Being in a band with such a long history can be frustrating and slow, but ultimately it's so much more rewarding.
The truth is that no one who hasn't actually experienced the senseless chaos and violence of combat can possibly understand it, but those who have and who try to explain it to the rest of us are offering us a precious gift: a part of their soul that's been scorched in the flames of Hell. It's a little like trying to describe music to the deaf or color to the blind ... to make the irrational somewhat sensible, which is always confusing and frustrating, and ultimately futile.
I've been fighting for nine years and in the beginning there was a lot of backlash and non-supporters of women fighters. We could never find many women fighters and when we did sometimes we were put on the card for the wrong reasons. It was frustrating. When I'd go train in gyms, it seemed like the guys at the gym were skeptical and didn't think I was as serious as they were because I was a woman, but today things are different.
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