The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be [loud dive bar, small theatre, festival] is a bit of an art a haphazard art at times.
[Amy Ray and I] both have this part of our brain that makes us think that everybody should and will be nice and friendly and forthcoming. And then we're completely disillusioned. We have all these grand plans. One of them is the Rolling Thunder Pussy Revue. There's all these women's festivals going on this summer, and we don't think they're as adventurous as they could be. Lilith Fair-right away, by the name, you know they aren't pushing the envelope hard enough.
It's a reality of film festivals that you can't see everything. You're dividing your time between seeing films and utilizing that unique space to have meetings with people that you can't otherwise.
Comedy - particularly the frothy and frivolous - is notoriously neglected by festivals and awards. But it's bloody hard to get right.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
A lot of the young people make beautiful films or big films or are able to finance them, but they can't get anyone to distribute them, they can't get anyone to see them, so they go to these thousands of film festivals. So I still believe that even though a young kid might be able to make a masterpiece or something that changes the direction of cinema, the issue of how to get it to people is still not solved.
The people at festivals are much more open to dance and just sing along. They come right up to the stage and they're very thankful. That's one thing I really appreciate about the yoga culture, that the people are very thankful. They come up to you as much as any fan would, but they express sincere gratitude and I appreciate that.
This festival... the festival of Makar Sankranti... is our way of showing love towards nature. While global warming poses a serious threat to the world and mankind, this message of love for our environment is extremely essential.
All cultures are different. Some commit genocide. Some are uniquely peaceful. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity. In American culture, we obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where its taking us or what it means but I know we do it.
I've never liked what's meant to be cool. I was asked to do Glastonbury the year before last actually, but I couldn't make it. I would have liked to, but I'm not really a festival man.
You always know when one of the first ["Harry Potter" movies] are on TV, because you'll get a text message from one of your friends saying, "How high was your voice?" It's like watching a home movie, in some sense. But you just remember because the audience sees the scenes as they're written, but we remember shooting [the scenes] and all the stories that came around it. Like the Quidditch World Cup in ["Harry Potter and the] Goblet of Fire," it's like the Glastonbury Festival at Leavesden [Studios].
Splashing about in mud in the cold is not my thing. I made an attempt to go to the Isle Of Wight Festival in 1969 when Bob Dylan was playing, but we never made it. We hired a boat from Lymington, but got lost, and by the time we got there the music was over. I wasn't too sad, to be honest.
The date will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations, from one end of this continent to the other, from this time forward forever more.
He was deader than a shrunken head at a Hackey Sack festival.
For me, I want to see diversity in storytelling sources because we live in a very diverse society, and the stories are for the whole society. That's really important. For me, as a female filmmaker, when I was out on the festival circuit on 2006, I felt like such a freaking anomaly - an oddity.
I think Ross Noble is the only person that I've seen really storm a stand-up slot at a festival, and that was when he led 3,000 people on a conga out of the tent and across the entire site to a vegetarian food truck.
I grew up in a really rural town, Stratford, Ontario, with 30,000 people. There's a big festival thrown in the town. A lot of people travel from all over the world to see it, and growing up, I actually used to busk on the street. I'd play my guitar, sing, and people would throw money in the case.
I used to do puppet theatre and also mime and musical theatre in Florida for competitions and festivals, which was great. I was very much involved in theatre when I was in college.
I know I shall not live very long. But why is that so sad? Is a festival more beautiful because it lasts longer? My sensuous perceptions grow sharper, as if I were supposed to take in everything with the few years that will be offered to me ... And now love will still blossom for me before I depart, and if I've painted three good pictures, then I shall leave gladly with flowers in my hand and my hair.
I was about 16 years old years when my father took me to a square dance festival in North Carolina. For the first time in my life, I found there was music in my country that you never heard on the radio, and you didn't hear on the juke boxes, and in theaters. I fell in love with it, especially the long-necked banjos.
Remember when movies were just good or bad, before auteurs, film festivals, and guys from USC who were the first to shoot underwater?
It's always really special to be at the New York Film Festival, and always a real privilege.
I don't believe in competition for artistic things. I just like the atmosphere of the Cannes festival. I don't want to win anything or lose anything.
I think certain filmmakers going into Sundance or other big festivals should consider screening more for press and tastemakers before the festival. The traditional wisdom has always been the opposite: to not screen for anyone prior, let your film be seen by an audience, and generate the buzz from there.
I think once you have films in certain festivals you begin to have name recognition, and there are possibilities. Especially for independent filmmakers, it's always good to try the international market because it doesn't have the same kind of baggage.
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