Making fake promises while wearing a fancy dress... that isn't enough. Promises take more work than that.
In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.
Heavenly comfort, rather, is truth, which blows away human fantasies that we can live forever, control everything, or fake our lives before God.
I could wear makeup today, and one person would say it looks bland, another would say it looks fake, and another might tell me I look really natural. Everyone is convinced their opinion is the truth, and that's what I struggle against.
It's always disappointing when people decide for one reason or another that they don't like your work anymore, but you can't try to please people, because then you're just going to be doing - you'll never live it down, y'know it'll always be dogging you around - you might be being a fake about the whole thing.
It's not important what other people call you. If you yourself know you're a fake, that's tougher to live with.
I think that movies are really fake; they should be fake. I don't think my way is any better than anybody else's way, but I know they're not real. I like to lean into the make-believe aspect of movies. That's why they're better than real life.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
There will always be real friends and fake friends. It is difficult to distinguish the two because both will appear the same in the beginning but so different at the end.
I feel that we should always be a real friend, always, even to those who chose to be fake. Not because they are nice but because you are.
THE AMERICAN WAY OF LIFE. Even what they eat and drink, these palefaces who don't know what wine istheir uglinesstheir pink sausage skin, horrible, they only live because there is penicillin,... the world as an Americanized vacuumtheir fake health, their fake youthfulnessthe way they use cosmetics even on corpses, their whole pornographic attitude to death.
I may look fake but I'm real where it counts.
A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
I am a middle-aged opera queen in loafers that makes out I am a 16 year old death metal skater... It's all fake! My hair is fake, my body is fake and my teeth are kind of fake
I'm a very intermediate sax player, but now that Rob Lowe is on my show, I had to cop to him. Like, 'Dude your ridiculous fake sax playing [in St. Elmo's Fire] inspired me to pick up a horn.'
I was a teenager, we were pretty much fully indoctrinated, thanks to sexual scare tactics. I remember so many public-health commercials with a B-actor in a fake alley background warning us to use protection or telling us the only real safe choice was abstinence. We were highly frightened of sex from day one. There was no free-swinging '90s.
Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.
Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
In the very early stages of working in sports, I was sick of being referred to as "the Barbie doll" because I had long, blond, fake hair. So I went and bought a boxed hair color, dyed my hair black, and put on glasses. And I looked ridiculous. I looked like a completely different person. I was trying to get away from the stereotype but what I realized in doing that is that what I say and how I conduct myself in what I do will speak for itself, and I don't need to apologize for being a woman in that space.
Know your job and don't fake it. It looks easy, but the ones that make it look easy know what the hell they're doing. They may tell you around the dining room table that you're funny and you should be an actor, but until you challenge yourself by getting on a stage or in front of a camera, that's when your knowledge of the craft separates you from the pretenders.
I think the record-buying public know what they like, and when people are trying to pander to them, I think they know it. They want the genuine article, so if we try to sort of "dumb down" for the mass public, I think they're too smart for that, and would recognize us as fakes. It seems like the bands that do crossover do so really on their own terms, and they just find that their terms just kind of make a big dove-tail with the masses.
I know a lot of people that have had fake Twitters... actors and musicians that I know. It's sort of a problem. There are all these people that sign up thinking that they're getting somebody's real thoughts when it's just some guy.
The Globe reports that North Korean dictator Kim Jong-Il raises money by selling fake Viagra pills. What it is about this guy? None of his missiles seem to launch.
There are six elements of gravitas critical to leadership: grace under fire, decisiveness, emotional intelligence and the ability to read a room, integrity and authenticity (people don't like fakes), a vision that inspires others, and a stellar reputation.
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