As I've grown older, the simple pleasure of sitting on the couch with someone you love and watching a documentary is about as good as it gets for me.
I come from a documentary background and my natural tendency, as a filmmaker, is to make a movie, if I have something to talk about. If it's not about anything that matters, I don't feel like doing it. I'm not against people who make movies just for fun, but I'm not one of those guys. I just want to provoke thinking and debating about certain issues.
We're bombarded with liberal propaganda 24/7, from the early morning shows, Hollywood movies, documentaries and sitcoms, all major newspapers, fashion magazines, the sports pages, public schools, college professors and administrators, etcetera, etcetera, etcetera. Unless liberals specifically seek out Ann Coulter books and columns, which I highly recommend, or tune into Fox News or conservative talk radio, they have no idea what conservatives are thinking.
Some of my pictures are poem-like in the sense that they are very condensed, haiku-lik. There are others that, if they were poetry, would be more like Ezra Pound. There is a lot of information in most of my pictures, but not the kind of information you see in documentary photography. There is emotional information in my photographs.
I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.
I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
I live in Tuxedo Park, N.Y. and spend time in the West Village, where my wife Elizabeth Cotnoir, a writer-producer and documentary filmmaker, has an office.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
I've done several commercials and I've done voiceovers for documentaries.
I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today.
I wouldn't call myself a geek, but I do sometimes teach Mommy and Daddy stuff about computers. And I do watch TV, but only informative programmes like the news and documentaries.
Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn't otherwise be engaged - in essence, not preaching to the choir.
In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.
Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed.
I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
...it is a very risky thing for anyone to go about proclaiming the truth simply because he finds himself in possession of concrete documentary proofs or on the evidence of his own eyes, which is always overestimated.
Monty Python: A documentary series on everyday life in Great Britain.
You can’t be serious,” Eve said. “Guys. People get eaten in places like this. At the very least, we get locked in a room and terrible, evil things get done to us and put on the Internet. I’ve seen the movies.” "Eve,” Michael said. “Horror movies are not documentaries.
I love those documentaries where everyone is fabulous and always perfect.
Television has its own award. It's called the Emmy. It's a good award. I like it. I have one. But you don't see movies like 'The King's Speech' win Oscars and then go to TV and qualify for Emmys. In documentaries, some networks have been able to game the system.
I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid.
My compulsion to always be working has become less strong and my current business is purely down to this enormous alimony. If I wasn't doing this I'd be making documentaries about wildlife and other subjects that interest me.
Every time I see documentaries or infomercials about little kids with cancer, I just freak out. It affects me on the highest emotional level... Anytime I think about it, it makes me sadder than anything I can think of.
I watch 'Al Jazeera.' They have news that you can't find anywhere else. They do great documentaries, too.
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