With any rock documentary or band documentary you always recognize things that you've experienced some version of.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.
As historians, our training and discipline is based on documentary evidence,.
I'm Ready to Die without a Reasonable Doubt Smoke Chronic and hit it Doggystyle before I go out. Until they sign my Death Certificate, All Eyez on Me I'm still at it, Illmatic, and that's The Documentary.
You see reality TV and it's not reality TV. It's contrived and everything is plotted and scripted nearly. Documentaries are the same and just as bad.
I have made more documentaries in my time than I think I care to remember, though I am immensely proud of all my work.
I love to see the rarest movies, the most talked-about movies and documentaries. I read all the reviews and compare them to see if its worth going! I have a secret movie critic blog I have shown no one or promoted, and I intend to keep it that way.
Sure, 'An Inconvenient Truth' was my first documentary. What a wonderful experience. I saw Al Gore doing his slideshow presentation, and had this nutty idea that we had to make a movie out of it.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
People say to me, "You make fantastic films" and I say, "No, I make documentaries.
Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic , you experience it from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.
The first time I thought about attempting a body suspension was after watching a documentary on rites-of-passage ceremonies from other cultures. I was completely intrigued by what these people put their bodies through.
I'm a massive sucker for music documentaries.
We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
I love going on BBC6 and BBC7 and listening to documentaries.
The insanely gorgeous competition documentary on surfing obsession, Step Into Liquid — directed by Dana Brown and photographed by John-Paul Beeghly in hypnotic gradations of aquamarine — will send you into a dream state.
Most of the photographs people take with their cameraphones are of little value in terms of documentary.
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
Voicing acting is usually fun. I'm very curious about that world. I'm a fan of documentaries, as well, and the voice kind of makes it right. Mostly for me, though, it's all about the acting -you don't have to get hair and makeup and the whole bit. You just can have fun with the acting.
For me, the distinction between documentaries and feature films is not so clear - my "documentaries" were largely scripted, rehearsed, and repeated, and have a lot of fantasy and concoction in them.
When I was 16, I made some little 35mm documentaries about the poor in London. I went round Notting Hill, which was a real slum in the 1950s, shooting film.
I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.
Along with the rest of the establishment, the BBC which, to be fair, can make superb documentaries - seems to have swallowed the distortions about domestic violence promoted by extreme, manhating feminism through the vehicle of deeply dodgy 'research'.
David Irving has consistenly applied an evidential double standard, demanding absolute documentary proof to convict the Germans (as when he sought to show that Hitler was not responsible for the Holocaust), while relying on circumstantial evidence to condemn the British (as in his account of the Allied bombing of Dresden).
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