There is a difference between film and digital. Because digital, you know, it's perfect and whatever. But with film, you get depth. You get subject.
I am really enjoying media arts and digital painting.
With digital, you can shoot longer, take more risks.
Similar thing until today, with digital cameras you look after something like that as robust as they can be.
What’s next for technology and design? A lot less thinking about technology for technology’s sake, and a lot more thinking about design. Art humanizes technology and makes it understandable. Design is needed to make sense of information overload. It is why art and design will rise in importance during this century as we try to make sense of all the possibilities that digital technology now affords.
You can't see a digital clock because there isn't one
It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.
War is not a computer-generated missile striking a digital map. War is the color of earth as it explodes in our faces, the sound of child pleading, the smell of smoke and fear. Women survivors of war are not the single image portrayed on the television screen, but the glue that holds families and countries together. Perhaps by understanding women, and the other side of war ... we will have more humility in our discussions of wars... perhaps it is time to listen to womens side of history.
The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.
There is a reality that this day and age is the digital era. Anybody can find anything they want.
I fear that we are beginning to design ourselves to suit digital models of us, and I worry about a leaching of empathy and humanity in that process.
It's disgusting. Why would people idolize someone who doesn’t do anything and saying you're a model/photographer with a digital camera and photoshop does not count as an artist.
Traditional communication design and the digital revolution will certainly blend and integrate, as clients’ communications needs rarely involve just one medium.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
For me, one of the most important aspects of my work is to give people something to dream about, just as I used to dream all those years ago as a child looking at beautiful photographs. I still weave dreams, finding inspiration wherever I can and looking for romance in the real, not the digital, world
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Millions and millions of exuberant monkeys are creating an endless digital forest of mediocrity.
I still weave dreams, finding inspiration wherever I can and looking for romance in the real, not the digital, world
Walking the streets on winter nights kept him warm, despite the cold nocturnal passions of uprising winds. His footsteps led between trade-marked houses, two up and two down, with digital chimneys like pigs' tits on the rooftops sending up heat and smoke into the cold trough of a windy sky. Stars hid like snipers, taking aim now and again when clouds gave them a loophole. Winter was an easy time for him to hide his secrets, for each dark street patted his shoulder and became a friend, and the gaseous eye of each lamp glowed unwinking as he passed.
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.
Rittner's Computer Law: Never argue with people who write with digital ink and pay by the kilowatt-hour.
[ Digital revolution ] only has allowed me to work faster, editing digitally, which I'm doing right now, a film on volcanoes. I can edit almost as fast as I'm thinking, editing with celluloid means always searching for this little reel of film, and number it, and scribble on it with some sort of pens, and gluing it together, and working on a flatbed. It's much, much slower.
Twitter makes you a comedian in the same way that digital cameras make you a photographer
I'd share a pic if the digital camera battery wasn't as flat as 17th century Earth.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
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