I gravitate towards the utopian potentials of digital space (post race, post gender, post human etc.), but understand that people live in real bodies that experience real consequences based on how they are gendered, sexed, raced and classed.
I started playing with digital technology early on in my work. I made digital collages with costumed figures using early versions of Photoshop in the 90s. I was trying to use the newly available digital technologies to combine real people and places with new imagined possibilities.
If I were to be super critical, I would say Formula One is too tactical and not strategic enough. And that brings us back to the digital issue: you may have to invest in order to gain - sacrifice some short-term effects in order to make high returns in the future.
The key to digital effects is to do things that are visually accurate but done cheaply and approximated.
I'm really into my photography and am trying to catch up with digital generation - I was used to the old 35mm cameras.
Every console, I don't give a damn if it's analog or digital-hell, every mixing situation today-is the brainchild of Bill Putnam.
We'll always need printed books that don't mutate the way digital books do; we'll always need places to display books, auditoriums for book talks, circles for story time; we'll always need brick-and-mortar libraries.
Overall, the work of rebuilding and transforming government for the digital age is only just beginning. Governments remain organized according to political and bureaucratic imperatives, not according to what makes the most sense to citizens.
Unless the digital divide is narrowed soon, the United States may be headed to the class warfare of a century ago, the last time the economy changed so fundamentally. It won't be pleasant.
Lettering should be invisible. You shouldn't notice it, unless it is a determined piece of storytelling in graphic design. Whether handmade or digital, the lettering should be easy on the eye and well placed. It should help tell the story and do nothing to get in the way of it.
There is this ferocious digital revolution coming along and we're in the teeth of that at the time of maximum economic disruption. There are huge opportunities there. I made the point in my supplementary statement that the Guardian is now a very considerable global player, but there are huge challenges in terms of making, of finding, the convincing business model, so I want to see Guardian journalism continue and thrive, although whether and to what extent that is in print or in digital is a sort of second order matter.
We must continue to liberalise the single market, cut red tape and basically create a digital single market. We have not completed the single market yet, there is not sufficient free movement of goods, labour, services and money. We have to keep on working at that against all the protectionist tendencies that we have right now.
It's not about being digital. It's about students who are born digital.
Vodafone is building a digital stadium in Istanbul. It is really worth going to see that. The whole experience will change with the possibilities viewers will have.
Real film is light; digital is electricity.
If you want to live a meaningfully better life, you're going to have to make the dangerous choice to dissent. A life lived meaningfully isn't denominated by digital friends, designer logos, or wads of paper notes. It's denominated by what you've lived, what it's worth to you, and what that's worth to humanity.
Grain is life, there's all this striving for perfection with digital stuff. Striving is fine, but getting there is not great. I want a sense of the human and that is what breathes life into a picture. For me, imperfection is perfection.
There is a strong reciprocal relationship whereby our more ambitious design visions encourage the continuing development of the new digital technologies and fabrication techniques, and those new developments in turn inspire us to push the design envelope ever further.
My job as artistic director at the Brighton digital agency Lighthouse is all about trying to show that digital culture is about more than just tools and gadgets - it's about perceiving the societal transformations being brought about by technology.
As tough as things have been, I am convinced you are tougher. I've seen your passion and I've seen your service. I've seen you engage and I've seen you turn out in record numbers. I've heard your voices amplified by creativity and a digital fluency that those of us in older generations can barely comprehend. I've seen a generation eager, impatient even, to step into the rushing waters of history and change its course.
Small, portable digital cameras that exceed the performance of an off-the-shelf Nikon using 35mm slide film are further away from current reality than the proposed NASA manned Mars mission, although I expect both to happen sometime during my lifetime.
I believe that when [senator Ron] Wyden and [senator Mark] Udall asked about the scale of this, they [the NSA] said it did not have the tools to provide an answer. We do have the tools and I have maps showing where people have been scrutinised most. We collect more digital communications from America than we do from the Russians.
On an iPhone, you touch on the digital keyboard and you know how the letter pops up and shows up bigger so you're making sure you're touching the correct letter? That's Nokia innovation.
Taking a digital holiday is a great way to start bringing balance back into your life.
Digital is a disaster. No digital radio has the correct time and they don't even agree with each other.
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