Ballet is important and significant - yes. But first of all, it is a pleasure.
I could never make a ballet by wrinkling my brow and concentrating. If you set out deliberately to make a masterpiece, how will you ever get it finished?
In ballet a complicated story is impossible to tell. We can't dance synonyms.
In my ballets, woman is first. Men are consorts. God made men to sing the praises of women. They are not equal to men: They are better.
It's like the time capsule with everything in it. Or like the seed that when you plant it, becomes the enormous tree with leaves and fruit. Everybody was in that little seed, and so everything can open. The tree of dance is like that. It just takes a long, long time to blossom.
My muse must come to me on union time.
Put a man and a girl on stage and there is already a story; a man and two girls, there's already a plot.
Dance has become an exclusionary enterprise. To participate, one must be thinner than thin, of pleasing form, flexible, athletic and young. If you are not all these things, you will be allowed to dance in the privacy of your own living room. You just wouldn't dare to put yourself onstage.
If your only dance experience is the Nutcracker, it will be a shock; hopefully shocking in a good way.
It doesn't matter how high you lift your leg. The technique is about transparency, simplicity, making an earnest attempt.
I want to see people dance, and I would like to guess what kind of people they are. I don't want to know the recipe for their pasta.
We're trying to stretch our muscles creatively. It gives us so much more freedom.
What brought me to the theater, no matter you're a Jew or a Russian or Armenian or Latvian, are suddenly illuminated by stage light and one beautiful image of dance.
You can be totally involved, you could admire just the shape of or you could be totally emotionally mushed up into the dance.
There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don't dance at all.
A silent figure is the dancer, true but still, words become dance, and all things there express'd.
What is dance? I am dancing all the time. Every gesture, the body line of every pose, the way I get from place to place, the movement in the acting - none of it would be the way it is if I weren't a dancer.
I enjoy the freedom of modern dance as well as the constraints of classical dance.
I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.
Young dancers are training at a very vulnerable time in their lives... So train the whole person, not just the dancer.
Though I soon became typecast in Hollywood as a gangster and hoodlum, I was originally a dancer, an Irish hoofer, trained in vaudeville tap dance. I always leapt at the opportunity to dance in films later on.
Dancers dance through their pain I shrink from mine.
Tap dancing all started with the old clog waltz.
But remember that intent is everything. One does not just jump, one lifts into the air, one rises. In the same way the lifted leg of an arabesque becomes a wing, and not a mechanical leverage like a raised trap door. This is the precise difference between dancing and acrobatics. The dancer tries to express something; the acrobat merely pulls, raises, stretches and grinds. The acrobat is lost in a web of muscles the dancer is all but invisible in projected idea.
Dance constitutes a true recapturing of... freedom and childish play.
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