Our arms start from the back because they were once wings.
Great dancers are not great because of their technique, they are great because of their passion.
The main thing, of course, always, is the fact that there is only one of you in the world, just one, and if that is not fulfilled then something has been lost. Ambition is not enough; necessity is everything.
The body says what words cannot.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
Every dance is a kind of fever chart, a graph of the heart.
No artist is ahead of his time. He is his time; it is just that others are behind the times.
There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium, and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open.
Nobody cares if you can't dance well. Just get up and dance. Great dancers are great because of their passion.
I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
All that is important is this one moment in movement. Make the moment important, vital, and worth living. Do not let it slip away unnoticed and unused.
Dancing is just discovery, discovery, discovery - what it all means, the way the little bone near the ankle relates itself to the floor for a perfect stance, a perfect plie.
Wherever a dancer stands is holy ground.
Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
Dancing appears glamorous, easy, delightful. But the path to paradise of the achievement is not easier than any other. There is fatigue so great that the body cries, even in its sleep. There are times of complete frustration, there are daily small deaths.
Freedom to a dancer means discipline. That is what technique is for -- liberation.
There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.
Dance is a song of the body. Either of joy or pain.
You see, when weaving a blanket, an Indian woman leaves a flaw in the weaving of that blanket to let the soul out.
The body is your instrument in dance, but your art is outside that creature, the body.
The spine is the tree of life. Respect it.
A dancer, more than any other human being, dies two deaths: the first, the physical when the powerfully trained body will no longer respond as you would wish. After all, I choreographed for myself. I never choreographed what I could not do. I changed steps in Medea and other ballets to accommodate the change. But I knew. And it haunted me. I only wanted to dance.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Dance is the hidden langauge of the soul, of the body.
Dance is communication, and so the great challenge is to speak clearly, beautifully and with inevitability.
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