If I could explain, I wouldn't need to dance!
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
One's concentration as a performer must remain centered on the action of which one is a part. For it is in truth only one's own concentration on the imagined reality of the role that can force the audience's attention to that same place.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.
The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing... there are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art.
As long as you're dancing, you can break the rules.
Dance has been my medium, my metaphor, my message and my meditation.
If that's all there is, my friends, then let's keep dancing.
Dance on the edge of mystery.
Dance where you can break yourself up to pieces and totally abandon your worldly passions.
Dancing is the body made poetic.
Dancing is my gift and my life... God gave me this gift to bring delight to others. I am haunted by the need to dance. It is the purest expression of every emotion, earthly and spiritual. It is happiness.
Afro-Caribbean influences are in me as a creative being the same way Spanish influences were in Picasso's work. I think the notion of labels - "black dancer, black choreographer" -is a ploy to divide and conquer, and to limit.
I am certain that movement never lies. There is only one law of posture I have been able to discover - the perpendicular line connecting heaven and earth.
Do the steps that you've been shown, by everyone you've ever known, until the dance becomes your very own.
I never taught people where to step on '2', because when I learned how to dance there was no '2'. We just danced to the music.
This new form of dialogue that is bringing us to the art to which I have dedicated my life, is rooted in the deepest and most beautiful part of being human.
I am bit sending messages with my feet. All I ever wanted was not to come up empty. I did it for the dough and the old applause.
If the dance is right, there shouldn't be a single superfluous movement.
I'm just a hoofer with a spare set of tails.
Slippery stages were the terror of my life.
This search for what you want is like tracking something that doesn't want to be tracked. It takes time to get a dance right, to create something memorable.
Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he'll escape.
Ballet dancing is arduous, strenuous activity. Students are engaged in physical training that rivals the training Olympic athletes undergo. At the same time, they strive for physical perfection not for the prowess alone but as a way of achieving the means necessary to express the pure nature of their art.
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