My gift and my curse is that I really want to be loved. What drives me to make music is love - whether it's shallow or deep or whatever. I want to do things that make people love me.
I think that things like curses or whatever - those labels - come from belief systems, universal belief systems. So when you get a global consciousness of something, then that becomes a quote-unquote "truth" for everybody. You know, "This is what happens in the Kennedy family." "This is what happens with the Hemingways." And the more people believe in it, the more it kind of resuscitates the problem; it keeps bringing life to this idea that a curse exists that you can never get out from under.
My father is also gifted at business, which is a blessing and a curse, because if you have the kind of mind that he does where you can do anything very well, that in its own way is sort of limiting.
I didn't choose to be a guitar player. That was something that felt like it was chosen for me. And with that blessing and curse, I, throughout my entire career, it's been my job to weave my convictions into my vocation. And whether I'm standing in the streets of Chicago or the Occupy Wall Street or in Madison, Wisconsin, my job is to steel the backbone of people on the frontlines of social justice struggles, and to put wind in sails of those struggles. And people who are fighting on a, on a daily basis, at a grass roots level, for the things that I believe in.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.
People believe that if a hijra curses you, bad things will happen. That God Ram blessed hijras with this power, that our blessings and curses will come true. People give us money because they are scared of our curse. Now that's the only way hijras can survive - by saying, "Give me money, otherwise I'll curse you." That clap, which scares people, has become our identity. In a way, you use myths and misconceptions for your own survival.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
I can't tell you how many times at the breakfast table my dad would curse out Franklin Roosevelt. I love my father. He was an intelligent man, but he really didn't like regulations of the Roosevelt style, or the taxes. He was an Dwight Eisenhower man. And that's what Eisenhower did, committed to breaking down the program.
I think that the Pulitzer Prize is definitely a blessing, but it's also a curse. Because I think that it is a blessing because the work gets more exposure, especially that particular play and then other works of yours too. And then it's a curse because people anticipate that you will write something like you've already written. I think it's really wrong because, you know, I think, as a writer, I'm in a process and I'm somewhere in that process, and I need to continue to develop.
I had my group of friends, and they stayed my group of friends, they were good about that. We all started to succeed at the same time, so that sort of took the curse off it. I didn't have a bunch of people scowling at me and being potentially jealous. I just had good friends who I was able to help, and they helped me. Yet it eventually came to feel debilitating.
The ironic factor that is between the Houthis and al-Qaida, that is, they both have strong anti-American sentiment. For example, the slogan of the Houthis is death to America and death to Israel and God curse the Jews and victory to Islam. And besides that, there is very little in common between al-Qaida and the Houthis as far as ideology goes, but they see themselves as having a common enemy, which is America. And America is in a situation, where the Houthis are fighting al-Qaida quite viciously on the ground, yet now the Americans are allied with Saudi Arabia in strikes against the Houthis.
Early on, I was so impressed with Charles Dickens. I grew up in the South, in a little village in Arkansas, and the whites in my town were really mean, and rude. Dickens, I could tell, wouldn't be a man who would curse me out and talk to me rudely.
I think I hate cynicism more than anything else. It's the curse of our age, and I want to avoid it at all costs.
I am convinced in my heart and in my mind that if the United States fails to stand with Israel, that is the end of the United States. We have to show that we are inextricably entwined, that as a nation we have been blessed because of our relationship with Israel, and if we reject Israel, then there is a curse that comes into play.
God loves us; the devil hates us. God wants us to have a fulness of joy as He has. The devil wants us to be miserable as he is. God gives us commandments to bless us. The devil would have us break these commandments to curse us.
I believe we shall come to care about people less and less. The more people one knows the easier it becomes to replace them. It's one of the curses of London.
Some comics really thrive on being disrespectful, especially toward women, and it's somehow understood as edgy, but I'm the opposite. I've never liked curse words for that reason.
All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.
I think one of the biggest curses in the U.S. is that we have only two political parties.
I always imagined that having a baby is something that I'm going to keep in a private place, but maybe my curse is that all I'm going to want to do is tell everybody about what my birth process was like and what my children's nightmares are.
The Internet has been a blessing and a curse. The curse we know: A lot of people appropriating your intellectual property without paying for it. But I think it's important to realize the blessing of the Internet, which is that everybody has a voice and you can break through, even without a record company.
Our curses on them that boil the eggs too hard! What use is an egg that is hard to any person on earth?
I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.
Most times, your blessings are also your curses. And for me, I have this ability to express myself so clearly with pen and paper, but when it comes to expressing myself verbally, I put up a big wall.
I hold a lot of things in. I'm always making sure everybody is okay. I usually don't rage; I usually don't curse. So for me, it's a great thing to be able to scream and say whatever I want.
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