I've been in so many crazy experiences in my life. I was always moving, when I was a kid. When I look back, it's hard for me not to feel that certain things just happen for a reason. I don't know. I have no other explanation.
I try to convey this feeling of being innocent in a mystical state, being in a place that's new, seeing things with brand new eyes, for better or worse. I just imagine this little kid floating on a beautiful king-size bed over the city at night, seeing all sorts of crazy stuff happening in the world. To me, half the fun is all the stories other people have.
You don't have to be crazy to be my friend. I'll train you.
I will always need my son, no matter what age I am. My son has made me laugh, made me proud, made me cry, seen me cry, hugged me tight, seen me fail, cheered me up, kept me on my toes, and at times driven me crazy, But my son is a promise that I will have a friend forever!
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
I had gone through several crazy headache bouts, and I realized that part of the reason I was having them was because I wasn't smoking marijuana. When my daughter gave me a vape pen, I realized that I could relegate it to where I needed it to be. And I would talk to my older grandkids in their 20s, and they'd say they use weed to stop cramps. That's when I really started to investigate and asked the question, "Is anybody doing this?" And they gave me that horrifying answer: "niche market".
I can be very in my head, but I don't trust my head all that much. My head is crazy. My head will talk to itself all day and all night if I let it. And my heart is less nutty, but it's kind of like an overexcited child. I don't trust my heart all that much either. My body is like a good horse. I trust my body.
I heard friends and strangers saying, "You don't look Arab - what are you supposed to be?" It really is a tired old problem for children of immigrants and kids of mixed race, constantly trying to explain yourself. Eventually, you give up and say, "Okay, what do you think I am?" When you're in the midst of it, you come to understand that "race" is a loose social construct, a series of visual impressions, and that your identity can be whatever the hell crazy thing you want it to be, you just have to grow a sense of humor and cultivate selective deafness.
I'll never, never understand why people think it's their business to comment on other people's bodies. I go to a spa in LA sometimes, a Korean day spa, and all the women there are nude. And I've never felt so in love with the human form as when I'm walking around and seeing all those bodies, thinking, Oh my god, we're all just built so differently. And every single body is beautiful. I will never understand that shame, and the reinforcement of that shame. It's crazy.
Why wouldn't somebody have the same legal rights as everybody else in our society? What is that about? I don't even understand them putting same sex marriage on the ballot. So if fifty-one percent of the people say it shouldn't happen, it's not going to happen? You can get fifty-one percent of the people to say just about anything - to say let's bring back slavery, or all Mexicans should be slaves, or something absolutely crazy like that. Does that mean we do it?
Everybody spoke English in my class, and they would turn to me and say, "What's going on in your country?" I would try to explain to Austrians, Poles, Australians, Israelis, Costa Ricans - people from all over the world - what was going on in our country. I would have to say, "I don't know what's going on, either. It's pretty evenly divided in our country. Sometimes one part's on top, and other times, the other faction is on top, and right now it's just crazy. We hate it as much as you do."
I don't know anything about chemistry, but I know that there's a whole world of chemistry, of professional chemists. They have their prizes, they have their publications, they have their work. Just because I don't know about it, doesn't mean that it doesn't exist. A lot of people say, "Isn't poetry in trouble today?" Or: "Nobody really reads poetry anymore." And I say, "You're crazy." There's a huge world of poetry out there. You may not know about it, but it's there.
The first Tea Party protest was scheduled for Inauguration Day. So what were they upset about? Which part of the job he was doing before he even did it were they upset about? Secondly, if they claim to be upset with government corruption, government takeover, crazy spending, where were they from 2000 to 2008? Right? And why weren't they protesting the stolen elections?
If you watch a movie from between the end of the Second World War and the mid-1970s, whenever anyone steps out in a white lab coat, they're there to offer a solution. They're there to tell you how the laser's going to save the day. They're going to give you James Bond's array of tools. After about 1975, whenever the man in the white lab coat steps out, it's to come up with some crazy idea that's going to bring ruin on everybody. "Let's clone dinosaurs!" And the last we see of him is disappearing down the gullet of the Tyrannosaurus rex.
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
I never know if a book is crazy or not. There's that fear - this is the one that will end it all.
There are things about the production I'm not crazy about though. People mix records to be heard in cars and to have the bass incredibly loud so the vocals have to fight with everything so there's no dynamic left, and that's kind of a bummer. That may not be my taste but I'm not going to go, "Kanye's not very good," because he's pretty badass. It's a difference in taste, like the New Pornographers and myself have different taste in production as well but it all works out in the end.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
Today we have people who think that they are wild and free and crazy because they are engaging in risky, insane, round-the-clock sex, using drugs, defying everything decent in society. But that's not freedom, is it? That's not even anarchy. What it is, is simple conformity. That's all it really is.
People say, "What happens in Vegas stays in Vegas." Because people do wild and crazy things in Vegas that they probably wouldn't do any other time. Which is why I feel like, if you're gonna open your first restaurant, this might be the place to do it.
We literally have some of us in the modern culture trying their best to stomp out every other way of life, really. People in tribes are depicted as completely primitive and crazy. The way that we live is very pigheaded and very unaccepting of other ways of life, especially in America.
I live out of a bag. I just looked at what's going on for me, I'm not gonna be back in England for more than a week between now and March of next year, I think, which is crazy. By that time the lease is up on my apartment! I'm getting a kick out of being homeless.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
I took a leave of absence from the internet company where I was working and bought a camera and a copy of Final Cut Pro editing software and made my first feature film, "Street Fight." It followed a crazy, racially charged mayoral election in Newark, NJ in which a young guy named Cory Booker was taking on the political machine of that city. It went on to be nominated for an Oscar and Emmy and was a real example of DIY film-making.
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