I never saw [Allen Ginsberg] as some kind of crazy figure.
Destroy or build. Crazy or noncrazy. I'm not nostalgic about the old city. I don't enjoy it that much.
Of course, there [in China] has to be chaos. It has to be crazy, and I don't think there's anything wrong about it except this government, which is really incapable of doing anything meaningful.
Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
I don't think China should care if this crazy old guy should have a show here or not. You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it's empty.
Donald Trump's a hell of a performer, he's a hell of an entertainer. If you put him on and let him say his crazy stuff, you're going to get a lot of viewers. If you take him off and have some sober discussion about what's going on in Syria, you're going to lose 80 percent of your audience.
All the old rules - if you say some crazy stuff you get your show canceled or you get your campaign ended - don't apply in the world of social media. They don't apply in the world of reality TV.
Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
I do like touring. Sometimes it's crazy. We're really lucky and we've gone all over the world. You can't complain about getting paid to see the world. I've had to reel myself in a little bit at some points.
When we were in Beijing, they were all "it's an honor, you're playing at the oldest rock club in Beijing". And I was all "oh crazy how old is it?" And then were all: "5 years old."Asia is just very different.
There's an interesting question, whether the anarchists had alternatives [in Spain]. If they did tend to support the government that had been destroyed, what were the alternatives? There was actually a proposal by Camillo Berneri, an Italian anarchist who was in Spain at the time, which is not a crazy notion in my opinion. He opposed participation in government and was against the formation of an army, meaning a major army to fight [Francisco] Franco.
I don't know many artists who are not crazy.
Most of the artists I know are crazy in one way or another. I think that's why you get into it. You're in pursuit of a certain sort of peace that's very, very, very difficult to come by.
It's really an interesting crazy world where like ultimately you have to work your ass off and sacrifice a lot in your life and the end goal is personal and financial gain. You know, it's not like you're doing anything helpful to the world. You're really just trying to get ahead and to beat out the next person and to be on top and at the very top of those financial firms, like the people that make the crazy amounts of money I mean that's what their after.
The idea that it's smart to allow Wall Street firms, with this "too big to fail" imprimatur, to become hedge funds again - it's unconscionable. You're essentially saying we're going to take some elites in our society and let them roll the bones in the marketplace, and if it works out they get rich, and if it doesn't work out the taxpayer comes in again. That seems absolutely crazy to me. That seems to be where they're headed. I mean, maybe they're not and I'm wrong. Maybe they'll do sensible things. It's hard to know! There doesn't seem to be a plan.
I think they [TV productions] were just kind of drying up. I'd done a couple of episodes, but nothing was happening. So I went to Vancouver to visit a buddy and see what was going on, and that year was crazy. Vancouver was on fire at that point. It was all these Stephen J. Cannell productions - The Commish being one of them - and in one I was a bartender, and I think I had five lines.
I remember I had scenes with Melinda McGraw in "Ides Of March" that I didn't have in "Video Vigilante," but I can't quite picture that other character. But it was Vancouver, and that year was crazy
There's a lot of people scared of me, and I can't blame them. They call me crazy so much I think I'm starting to believe them.
You just never know. Crazy things happen in elections.
I'm only 19. It's kinda crazy if you're older and putting expectations on a poor 19-year-old.
I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.
I used to want to gamble, too, until I was 20 and could actually go to a casino. Then I wasn't so crazy about the attitude.
I've often said to myself, "Thank God I can write, 'cause this is hilarious." I actually wanted to go into all that more in the book, but my editor thought it was too crazy.
It would be kind of magical if we were just happening to be able to see right to some boundary and then something crazy happened beyond that, like galaxies ceased to exist. I mean, that just seems nuts.
We pretty much had crazy weather, historically speaking, in every location we filmed [The Fourth Phase]. Nothing has been normal in the past three years.
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