Gone are the days when your indiscretions at university were recorded in a roneoed college newsletter of which there is only one copy left tucked in a filing cabinet at the back of a library. Today that same college newsletter is online, accessible by the whole world now and forever.
Wit and humor seem to always factor into this - there's a tongue-in-cheek tone you get when you take on a formalist story - because there's an inherent voice you're trying to copy (and often to satirize).
Once I spoke about this subject among a group of English intellectuals. One of them was a professor on Roman Law at one of the leading British universities. I asked him,what was the official language of the Byzantine Empire? He said, maybe sometime in the sixth or the seventh century.The Justinian Codex, the rule of law in the Byzantine Empire which was produced by Emperor Justinian, it was written in Latin.And he looked at me ,he knew that I knew already that the only original copy was found in the beginning of the sixteenth century.
The new iPhone encryption does not stop them from accessing copies of your pictures or whatever that are uploaded to, for example, Apple's cloud service, which are still legally accessible because those are not encrypted. It only protects what's physically on the phone.
Most writers I know have switched to word processors. I haven't but I'm very curious about why people like it so much. I think it has something to do with the fact that at last writing, which has been such an old-fashioned, artisanal activity, even on a typewriter, has now entered the central domain of modern experience which is that of making copies, being involved in the world of duplicates and machine-mediated activities.
We live in a world of copies and we're fascinated when we encounter the originals (in a museum, for instance).
Books were rare,expensive, time-consuming to create and copy, and difficult to transport. That is why collections ofprint-based books developed around centers of religious belief, learning, and wealth. It was cheaper andeasier for people to come to the collection than for the collection, or parts of the collection, to go to thepeople.
This is where the guys who copy me are planted: I do not use auto-tune, I sing. That's my advice!
All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
I think as time goes on that generation of rappers who's making it now is gonna face the same thing that my generation was facing, which is the decrease of sales. The decrease of hard-copies.
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.
At the first meeting of the newly constituted Warren Commission, [former CIA Director] Allen Dulles handed out copies of a book to help define the ideological parameters he proposed for the Commission's forthcoming work. American assassinations were different from European ones, he told the Commission. European assassinations were the work of conspiracies, whereas American assassins acted alone.
I think intellectual property is more like land, and copyright violation is more like trespass. Even though you don't take anything away from the landowner when you trespass, most people understand and respect the laws that make it illegal. The real crime in copyright violation is not the making of the copies, it's the expropriation of the creator's right to control the creation.
What good is all the painstaking work on copy if the headline isn't right? If the headline doesn't stop people, the copy might as well be written in Greek.
Destroy the old files, but make copies first.
The business of judging a headline AFTER you read the copy is wrong. It takes for granted that everybody reads the copy.
The purpose of the headlines must be to convey a message to people who read headlines, then decide whether or not they will look at the copy.
It's one thing to buy a copy of 'Atlas Shrugged.' You actually have to read it to get anything out of it.
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
The thing about HD-DVD that is attractive to Microsoft is that it's very pro-consumer in letting you copy all movies up onto the hard disk.
Six years ago, I looked at a picture of the world's greatest newspaper men. I felt like a kid in front of a candy store. Well, tonight, six years later, I got my candy - all of it. Welcome, gentlemen, to the Inquirer! Make up an extra copy of that picture and send it to the Chronicle
Copyright? Copy RIGHT: Steal ideas, steal facts but do not steal words.
From a policymaker's point of view, [the back door] must look like a perfect solution. "We'll hold onto a separate copy of the keys, and we'll try to keep them really, really safe so that only in an emergency and if it's authorized by a court will we bring out those keys and use them." And, from a policy point of view, when you describe it that way, who could be against that?
It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.
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