My parents were screenwriters, and they had four daughters and we all write. So that's amazing. Talk about powerful parents. My mother always said to us, "Everything is copy."
Another thing you end up doing when you get older, is you spend so much time sort of trying desperately to keep from just looking just a little older. You're just constantly putting stuff on your face and having things removed from yourself and opening up copies of "Vogue" so that you can find new ways to throw whatever money you've managed to save into the arms of some doctor who has just come up with a new way of lasering your face that feels like electroshock and all these things.
A presentation copy...is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.
They're [[harmaceuticals companies] just making a killing out of people's death. And they're benefiting by people's suffering. And I find that obscene. I find it ridiculous in this day and age, that that would happen. And it took President Clinton to go to rogue pharmaceutical companies to copy the antiretroviral drugs for a fraction of the cost.
Unless your answers are clearly better, copy the answers of your betters.
How little inventiveness there is in man, Grave copier of copies.
I'm not big on reading business books. I get copies of all of them, because people want me to put a comment on the jacket. Every once in a while, I'll get interested and read one all the way through.
Pedaling through the dark currents, I find an accurate copy. A blue print of the pleasure in me.
My father works for Xerox and fixes those gigantic copy machines that are about 10 feet wide.
But what exceeds all wonders, I have discovered four new planets and observed their proper and particular motions, different among themselves and from the motions of all the other stars; and these new planets move about another very large star [Jupiter] like Venus and Mercury, and perchance the other known planets, move about the Sun. As soon as this tract, which I shall send to all the philosophers and mathematicians as an announcement, is finished, I shall send a copy to the Most Serene Grand Duke, together with an excellent spyglass, so that he can verify all these truths.
I grew up when comics were only sold in food markets and news stands, so the direct market is vital to me. The best way to make it stronger is if everybody buys my comics in multiple copies before they buy any others.
If you have a personality predisposed to liberalism, you might gravitate more to the artsy crowd or the anti-establishment crowd. And then those peers will affect you, and they will give you values, and you will copy them.
We make a product here in America and - they copy it in China and they couldn't care less about infringement or anything else. We talk about the environmentalists. You know, they all want us to make our plan so that nothing can go into the air. Do you think China's doing that? They laugh at us.
This comes from Mike Gonzalez at the Daily Signal: [ Howard] Zinn's history "set the stage for the grievance mongering that passes for history classes today, and is still widely used. It has sold over 2 million copies since it was first published in 1980 and continues to sell over 100,000 copies a year because it is required reading at many of our high schools and colleges. That's a lot of young minds."
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
In a bureaucracy, they shoot the bull, pass the buck, and make seven copies of everything.
But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.
We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.
If you really love people, you say you really love people, really care about people, want the best for people, well, America is the best place. Instead of coming here and destroying it, why not copy it, replicate it?
I'd rather do my own performance than copy someone else's.
To conjure a particular knowledge you visualize an architectural structure and then you walk around and see the details that then bring back the words or the poetry or the lines of thought. Memory's going extinct because we rely on machines and copies and so on. The idea of working with structures that conjure dreams, personages, history, time, that can be contained in this way as you walk through your mind, is a challenge.
I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.
The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?
Americans have got it so dinged into them that they are the most fortunate people on Earth, and that the rest of the world - the sooner it copies what America is like, the better.
Things happen very quickly and they have to happen quickly in order to have vitality, which I think is essentially part of a good pot. But in addition it means that you can explore an idea and change it and then change it and then change it; I don't mean by changing the one pot, but you make one pot then you make another that's related to that; you make another - you can make 50 pots in a day and none of them are going to be carbon copies of any other, but they'll all be related because there's something going through your mind about the form on that particular day.
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