Having sex with her is incredible. It's just like a concert. We throw Frisbees around the room. And when she wants more she lights a match.
People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.
The era itself has nothing to do with anything. We weren't really attached to that at all. I just saw this thing where they had a Poison concert on VH1, and to me, that is being attached to an era.
But, of course, one relies on the everyday people who just simply like your music, for whom you may not be a hobby but they enjoy being in your presence at a concert.
These capitalists generally act harmoniously and in concert to fleece the people, and now that they have got into a quarrel with themselves, we are called upon to appropriate the people's money to settle the quarrel.
People really respond to the songs when I play them in concert. Every song comes from a different place emotionally or from a different headspace.
Everyone should be able to go to a concert and enjoy music, and not feel like they're going to be harassed. That's how I see punk music.
I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.
I love going to rock concerts, I love to lose myself in that vast wave of rhythm and body heat and get on the same vibe.
I like to talk to the crowd on stage. I don't like going to a concert and feeling like the people on stage don't care whether or not I'm there.
What you're hoping for about the concert is an overall collective experience that everyone has and that you share with them and when you hit the stage you have a "common" feeling. Even though you're the performer and they're the audience there's something uniting everybody in the room.
When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another - as though we are all looking to eachother and saying yeah, we get it, we're all on one page.
Artists are just entrepreneurs. It's up to them to figure out how or if they can make a monetary profit from their passion − from their calling, as I discussed above. Sometimes they can. Musicians can sell music, even in the face of piracy. Or they can sell their services − concerts, etc. Painters and other artists can profit in similar ways. A novelist could use kickstarter for a sequel or get paid to consult on a movie version.
Some artists just go and play, and I have no objections to that - but I don't like to do that. People take their very precious time to come to my concert, and they give me the opportunity to share two hours of their lives. I want to do the best I can, for visuals, sound and everything!
I know how stupid people can be. I've played in front of 5,000 people that bought a ticket to my concert, and some guy who's bought a ticket decides he's going to throw a bottle at my head. That's a simple act of stupidity. That's not even defiance.
I grew up listening to my grandfather's stories of our musical past. He would often talk about the orchestras that played at concerts and the musicians who played on Sunday evenings on street corners. By the time I grew up in the '80s, all of this was a thing of the past. I lived vicariously through his stories and often wondered what it would have felt like to have been part of his generation.
It doesn't necessarily matter if I'm onstage or not. I just find the communal experience of a rock concert, or any type of music performance, achieves a kind of transcendence that I associate with spirituality. It's the closest thing to what I think people expect church to be like. Or maybe just what I've always thought church should be. You lose yourself, and at the same time come to the realization or understanding that you're part of something bigger than yourself.
The powers of financial capitalism had a far-reaching aim, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole. This system was to be controlled in a feudalist fashion by the central banks of the world acting in concert, by secret agreements arrived at in frequent meetings and conferences.
The emerging picture from such studies is that ten thousand hours of practice is required to achieve the level of mastery associated with being a world-class expert - in anything. In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number comes up again and again…no one has yet found a case in which true world-class expertise was accomplished in less time. It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.
In one of our concert grand pianos, 243 taut strings exert a pull of 40,000 pounds on an iron frame. It is proof that out of great tension may come great harmony.
If we replaced guns with guitars, then the world would be a concert
I'm addicted to women. Believe me, as Shaggy, after every concert, there's drawers that are dropping.
I wanted to be a concert pianist at Carnegie Hall; that is what I wanted to do from really early on. I actually was the accompanist for a couple of the musicals I was in growing up.
Multiculturalism means your kid has to learn some wretched tribal dirge for the school holiday concert instead of getting to sing 'Rudolph the Red-Nosed Reindeer.'
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
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