When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
Ive been involved with Carnegie Hall for the last 13 years, and Chairman for the last six. I feel really good about what weve done growing our educational programs there, building a board that has made Carnegie Hall really a world-class institution.
Everywhere in the world, music enhances a hall, with one exception: Carnegie Hall enhances the music.
I feel I have had a very interesting life, but I am rather hoping there is still more to come. I still haven't captained the England cricket team, or sung at Carnegie Hall!
The most memorable performance was my appearance in concert in Carnegie Hall. The first standup to do so.
Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.
Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.
The Carnegie Foundation for the Advancement of Teaching has been in existence for most of this century.
Carnegie Hall was real fabulous, but you know, it ain't as big as the Grand Ole Opry.
I did theater at Carnegie, and in Pittsburgh and New York.
My grandfather, along with Carnegie, was a pioneer in philanthropy, which my father then practiced on a very large scale.
What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."
My first hip-hop performance was at Carnegie Hall with Wyclef, ... I got a little feature and he announced me as the 'hip-hop violinist.' The next night I played at the Apollo.
Carnegie believed in the survival of the fittest. He believed in Social Darwinism. He believed that you had to give an opportunity to the fittest, who were going to survive, to the fittest to rise themselves as high as they could.
I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.
People believe that companies have always had strategies, dating back at least to likes of Henry Ford or Andrew Carnegie, maybe to the contractors who built the Pyramids. As it turns out, it was only in the 1960s and 1970s that a new breed of "business intellectuals" began to develop the intellectual framework that allowed companies to look at the three "C's" of any good strategy - namely their costs, customers, and competitors - in an integrated way.
He [Andrew Carnegie] wanted people to be able to lift themselves, to educate themselves, to train themselves. And there was no better way to do that than with libraries.
It's an irony that growing inequality could mean more money for philanthropy. In the US, quite a few of the ultra-rich have taken to heart the 19th century industrialist and philanthropist Andrew Carnegie's comment that it's a disgrace to die wealthy.
I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.
I was in college - Carnegie Mellon, which is one of the reasons Pittsburgh was appealing to me - and I personally feel that whole world of what we used to call "college radio" is a big part of what kept me sane through a period where I stopped dating, I felt like a freak, I felt like no girl would like me. You know, a very adolescent response to losing my hair. I turned to obsessing about The Replacements and The Smiths and R.E.M. and getting further into The Velvet Underground. People who, in my sheltered suburban life, I knew of, but didn't know fully.
Matt Bomer and I went to Carnegie Mellon for drama together.
Roaring like a tiger turns some children into pianists who debut at Carnegie Hall but only crushes others. Coddling gives some the excuse to fail and others the chance to succeed.
My second epiphany came as an intern at the Carnegie Endowment for International Peace. The man I worked for was consumed with what was going on in Bosnia. And the more I knew [about it] the more saddened I was. There were these images of emaciated men behind barbed wire.... It was like, I've got to find a way to do something.
I knew Bill Cunninghamn personally, in the way that most people know him - you don't really know that much about him. So I had never been in his apartment, as most people hadn't. I really had no idea how he lived. I knew he lived in Carnegie Hall, but that was it, and I didn't really understand. I knew that he worked hard, I just didn't realize that that was what he does, that's basically all he does
Any pianist and singer/songwriter would say "Carnegie Hall." It's such a legendary place. I'd love to play at Carnegie Hall. That's definitely dream of mine.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: