The aim of art is to represent not the outward appearance of things, but their inward significance.
The idea becomes a machine that makes the art.
In conceptual art the idea or concept is the most important aspect of the work
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
The most important lesson I received from Conceptual art consisted in the recording of simple and obvious things, and viewing them under a whole new light.
Conceptual art is only good if the idea is good.
Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or ‘dematerialized’
I remember going into galleries and seeing this thing called conceptual art, and I understand people’s marginalization from what the art subculture is because if you haven’t crashed the codes, and if you don’t know what it is, you feel it’s a conspiracy against your unintelligence. You feel it’s fraud.
I have never understood, for instance, why some people see contemporary art as divided between 'painting' and 'conceptual art', as though this represented a genuine division.
Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
After a few months in my parents' basement, I took an apartment near the state university, where I discovered both crystal methamphetamine and conceptual art. Either one of these things are dangerous, but in combination they have the potential to destroy entire civilizations.
Conceptual art is entirely word-bound. It is, in fact, the kind of art that is exhausted in its verbal description.
The other great development has been in photography, but that too was influenced by Conceptual art.
Conceptual art' is an oxymoron. Concepts are articulations of fact or supposition, not attributes of quality.
So much of the hubris that surrounded conceptual art in the 1950s through '70s was that it had this arrogant presupposition that pointing in and of itself was a creative act. It never rigorously politically and socially analyzed the fact that the luxury to point is something that so many people throughout the world don't have.
Philosophy has a great sort of appeal in terms of an artistic or aesthetic organization of concepts. It's a conceptual art.
I think the term 'conceptual art' is a useful term for writers, a basket to put people in, like Pop Art or Impressionism or whatever.
Im not trying to do conceptual art.
I make no apology for preoccupying myself with architecture, television, conceptual art, restaurants and Jane Asher's cakes.
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
I don’t work as a conceptualist. Let’s say the conceptual art model is that you have a project idea, or a set of concerns, and then you illustrate those concerns in whatever manner you see appropriate. For me, it has always been that the world suggests far more subtle and interesting variations than I could ever come up with.
The idea of making [conceptual] art was not a good way to approach things... Instead I saw myself as trying to make something that my relatives could understand.
I'm not saying Sonic Youth was a conceptual-art project for me, but in a way it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
I didn't know anything about conceptual art when I left Kansas. I went to Cal Arts to be a painter, but the exciting stuff was happening elsewhere, so I took a holiday from painting for a few years.
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