Carol Leifer is funny, really funny.
As the falcon launched trustingly heavenward is lost to view, the course of the higher poetry often soars beyond the ken of the multitude; and, as the humble birds carol blithely round our dwellings, so the meeker lays of the muse linger tunefully about the heart.
The sun had not risen, but the vault of heaven was rich with the winning, softness that "brings and shuts the day," while the whole air was filled with the carols of birds, the hymns of the feathered tribe.
To me, I like and understand ritual and I think it is important. Things that we do that give us comfort are important. Like Christmas, I like to go into a church and hear the carols sung. There's a comfort of actually going inside of a church, I find them serene. They're unchanging.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
Westerners often laud their children as 'talented' or 'gifted', while Asian parents highlight the importance of hard work. And in fact, research performed by Stanford psychologist Carol Dweck has found that the way parents offer approval affects the way children perform, even the way they feel about themselves.
The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He's like an Ivy League kid who just is labeled "poor." He doesn't have any bad habits. He's never cranky with his kids.
I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
We did an a cappella version, which I have always wanted to do, of the "Coventry Carol." It's beautiful, and we did it in three part harmony with no accompaniment. We have two a cappella songs that, in my opinion, are just gorgeous.
I grew up listening and looking up at these people and laughing at Carol Burnett and singing James Taylor songs. And same with Smokey Robinson. So they were such a huge influence as a child that to actually sit alongside them and perform on the same bill was an amazing experience for me.
She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.
I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.
I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up.
Unless you're Stephen King or Joyce Carol Oates, no one's going to recognize you on the street, and you're promoting your book, not yourself.
We live in strange times. We also live in strange places: each in a universe of our own. The people with whom we populate our universes are the shadows of whole other universes intersecting with our own. Being able to glance out into this bewildering complexity of infinite recursion and say things like, 'Oh, hi, Ed! Nice tan. How's Carol?' involves a great deal of filtering skill for which all conscious entities have eventually to develop a capacity in order to protect themselves from the contemplation of the chaos through which they seethe and tumble.
I would just say there are no two roles that are more demanding than Bob Dylan of 1966 [Blanchett's role in 'I'm Not There'] and Carol Aird of 1952. I challenge any director out there to come up with a wider divide. I had to convince her to take the Dylan role, and that took effort. But with 'Carol,' she was already attached.
Not even Carol knows firsthand how it feels to be hurt in such a way by someone who's supposed to protect you
For the first time in my life I actually feel sorry for Carol. I'm only seventeen years old, and I already know something she doesn't know: I know that life isn't life if you just float through it. I know that the whole point- the only point- is to find things that matter, and hold on to them, and fight for them, and refuse to let them go.
I don’t ask writers about their work habits. I really don’t care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they’re actually trying to find out, "Is he as crazy as I am?" I don’t need that question answered.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
Abbey," Sarah said, "life is to be lived. If you're living, you're going to stumble along the way." "All the time?" Abigail lept to her feet and began to pace. "I have such a bad temper and when I was in my teens, I wasn't above using my gift for revenge. None of you did that." Joley slowly raised her hand, sliding down in the chair as she did so. Hannah followed suit, though she didn't look in the least remorseful. Sarah shrugged her shoulders and raised her hand and glared at Elle, who just grinned sheepishly and put up a couple of fingers. Carol tossed her head and waved her arm with gusto.
I often give my wife Carol scripts I'm offered and want her opinion - because she's a really smart lady, and she's got nothing to do with this business, so I get the audience's point of view.
I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
Unfortunately there is nothing more inane than an Easter carol. It is a religious perversion of the activity of Spring in our blood.
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