Biologically, I'm lucky - an angular face and dark colouring which shows up well on camera.
Everywhere you go you hear things that are untrue. You've just got to learn that if I don't say it, physically out of my mouth, on camera, it's not true.
At my Rolling Stones' tour, the camera was a protection. I used it in a Zen way.
I would often find myself, at the age of 21, at midnight, running down a dark street on my own with 10 men chasing me. And the fact they had cameras in their hands made that legal.
Men still control the news, both on and off camera.
Although I was entirely relaxed on camera, if I had to stand up and say something to an assembled group of people, I was rendered all but inarticulate.
My life is shaped by the urgent need to wander and observe, and my camera is my passport.
The camera is an excuse to be someplace you otherwise don't belong. It gives me both a point of connection and a point of separation.
The important thing is not the camera but the eye.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
I was in the movies. I danced, I sang, I learned to work in front of a camera. It was like being in a repertory company.
I don't like to move the camera that much anyway.
I confess it, I love the camera. When it's not on me, I'm not quite alive.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
I play myself all the time, on camera and off. What else can I do?
You play a part, and as soon as a movie is over and the camera stops, you go home and you're not really responsible for what you've done.
It is the photographer, not the camera, that is the instrument.
I hate cameras. I hate cameras and I hate camera phones. The camera's my worst enemy and my best friend. It's the way I convey my emotions to the world without saying a word, so I use it. People always say, 'You come alive as soon as the camera's on!'
A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.
The camera can photograph thought. It's better than a paragraph of sweet polemic.
No matter how advanced your camera you still need to be responsible for getting it to the right place at the right time and pointing it in the right direction to get the photo you want.
When you grow up on camera and in the public eye, you feel you have to put forth this image. I just took that to the extreme and there was a lot of pressure on me
Painting directly from nature is difficult as things do not remain the same; the camera helps to retain the picture in your mind.
Working in front of the camera keeps me alive.
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