Being behind a camera, in front of the camera, is my own little deconstructionist niche.
Some people are directors and I think they should stay behind the camera.
We can't laugh quite as much on camera, but we sure do on the set.
I've been in beautiful landscapes where one is tempted to whip out a camera and take a picture. I've learned to resist that.
When you're modeling you're actually acting for the camera and the photographer. It's more fun, too because there are no lines to memorize.
The camera can be the most deadly weapon since the assassin's bullet. Or it can be the lotion of the heart.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
I was born in front of a camera and really don't know anything else
I still need the camera because it is the only reason anyone is talking to me.
I bought my first camera in Seattle, Washington. Only paid about seven dollars and fifty cents for it.
When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom.
I admire a person who, for the love of art, is able to take off their clothes in front of a camera. But I'm not capable, I'm too cowardly for that.
So successful has been the camera's role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I love photography. My boyfriend's got a great camera, which I bought for his birthday.
A neighborhood friend showed me how it was possible to go to a camera shop and pick up chemicals for pennies... literally... and develop your own film and make prints.
But in the old days, visual artists used to fall into two distinct categories: those of us who created images with cameras and those of us who applied stuff onto other stuff, with brushes or other tools.
I had started off, before I ever got an acting job, working at Robert De Niro's Tribeca Productions as a reader. I was always interested in that side of the camera.
I'm working 2 days a week right now, narration usually on Wed., and host on camera on Friday.
I can zero in on subtle things because I'm holding the camera.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.
If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.
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