The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
If I went to them all dressed up and flashed a nice smile for the cameras it would probably be easier for me to get work. But I just can't tolerate it.
When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
I don't like to work with assistants. I'm already one too many; the camera alone would be enough.
From the beginning, the camera and I were great friends. It loves me, and I love it.
I know the pundits and the news media have carried a lot of commentary about cameras in the courtroom, and theres a lot of controversy about it as a result of the Simpson case. But I have not had enough time to step back and enough time to evaluate that.
Cameras in classrooms are no substitute for greater authority by parents and teachers.
Happy Days, which we did for 11 years, we did with three cameras in front of a live audience. Very special. We had a party every Friday night. The boys, Ron, Henry, they grew up on that show.
I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.
When you're in front of the camera, for a small budget or a big budget movie, there's no difference.
In the Belgian air force a general supposedly saw a UFO, tracked it with his plane, photographed it with his wing cameras. And I believe it because I said to myself why would this person, not getting paid for this, do it unless it actually happened or he thought it happened.
The thrill of being in front of a camera remains exactly the same.
I'm shooting a pilot based on my show. It's a one-camera show. I play myself.
I'm very in love with the fact that the camera is revolted by acting and loves behaviour.
I like the smell of film. I just like knowing there's film going through the camera.
The world just does not fit conveniently into the format of a 35mm camera.
One thing I hate in movies is when the camera starts circling around the characters. I find that totally fake.
My own eyes are no more than scouts on a preliminary search, or the camera's eye may entirely change my idea.
For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!
I think one day I want to be on the other side of the camera-maybe directing
Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.
It's kind of dangerous to cut in the camera, but that's the only way I know how to direct.
You are a pest, by the very nature of that camera in your hand.
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