There are definitely times where I am listening to the radio, and I think, 'That would be awesome. I would love to sing that.' It's this weird karaoke fantasy that I might someday get to live out on the big screen.
I'm not the type of person who goes through all this effort for a movie, and then doesn't care if anybody sees it. I want them to see it, and I want them to see it on the big screen.
I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out.
In five years I don't think there'll be a reason to have a tablet anymore. Maybe a big screen in your workspace, but not a tablet as such. Tablets themselves are not a good business model.
One of the most visually beautiful movies you can see on the big screen.
It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
I mean, movies are all geared to be basically under 25, and they're all tentpoles, explosions, excitement and all that - they take advantage of the big screen, which is great.
I don't see a difference between the big screen and the small one. We are entertainers, and the medium doesn't matter.
No, actually I'm trying to stay away from the big screen.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
I loved couriers. You had this transfer of physical information happening throughout the city and the world. Someone picking up the package, putting it in a bag, going somewhere, taking it out of the bag, giving it to someone else. I thought that was so cool. I wanted to map it, to see that flow on a big screen.
I would love to play Wonder Woman on the big screen.
I want to inspire people with my work, whether I'll be dancing, acting, on the big screen, or in the production room.
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
I really like the "two is better than three" line. People ask me is this drama or comedy? I just think the more colors you have to a film the better. The more genres, the more people will like it. I like relating to the whole general speaking public. The script itself is 99 pages but the novel it is based on is 600. I had to leave a lot of stuff out of the script. I had a limitation of what I could present on the big screen.
I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.
Sometimes what works in a book is too "in your face" when converted to the big screen and sound.
We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
I need to create a whole cinematic experience. I think that's what it takes to get the audience to the theater and justify seeing [a movie] on a big screen. You have to give them a cinematic experience.
It's every actor's dream to be seen on the big screen. Having said that, it's also imperative to better yourself as an actor all the time. In that, all mediums become important in their own ways.
Casablanca is back on the big screen in a new print and looks and sounds better as time goes by. It is the product of numerous accidents, all of them happy, and I laugh, cry and have my better instincts appealed to whenever I see it.
You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Successful people have libraries. The rest have big screen TVs
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