Oftentimes, misunderstandings and antagonism surfaces most strongly when economic times are tough. And that's not surprising. If everybody is working and feeling good and making money and buying a new house and a big screen TV, you're less worried about what other folks are doing.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
I love female heroes too and would love to bring many more to the big screen in the future.
The only thing I can say is that people requested,when The Exorcist it going to be on the big screen? People want it on the big screen and they want to see the footage. I think it's going to do very well. I think it will please people, and the fact that they added the new sound.
I think most people, no matter their status now, have big screen TVs, because they're the standard TVs now. And so why would you go to the cinema?
I love seeing my characters big up there and I would have liked to have reached a different public in movies from my television public. There's still a part of me that wishes that my character range could be seen on the big screen. Rather, as Rod Steiger was, because he was a big influence on me - about becoming other people and not worrying about your own glory or self esteem but sacrificing yourself to become somebody else.
You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?
I watch a lot of Turner Classic movies. But I don't do private screenings. I don't have the old school, reel to reel projectors. I do have a big screen TV, though.
I always felt that the telefilm directors made wonderful films, which are even better than the big screen movies, but never got enough opportunities to showcase their talents on the big screens.
I remember seeing Aladdin when I was five or six and loving it. I looked at the big screen and said to my mum, Whatever this Genie guy does, I want to do. Mum said I couldnt be a genie, but that Robin Williams, who did the voice-over in the film, was an actor. So I said, OK, then, I want to be an actor.
Sticking to my schedule, Ive gotten over seven months ahead, which allowed me to write a Pearls Before Swine movie script for the big screen.
In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
I think that Spider-Man is a part of our culture. He's a perennial character. He's something that's constantly reexamined and there are so many versions of him in the comics that it was something that I thought that we could do cinematically. He belongs on the big screen.
The magic of film isn't just because of the big screen, or the acoustics, but the ineffable shared experience of going to the movies.
A lot of people tend to chew up the scenery. I'm a firm believer in less is more, especially on the big screen.
There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
The more films we make the more we get to deal with those pre-existing relationships. But when it comes to a movie like Ant-Man or Guardians or certainly Doctor Strange, it's just bringing to life stuff that's already been there in the comics and we finally get a chance to do it on the big screen.
For me to see the film [Dream of Life] on a big screen - it's pretty extraordinary.
The number of people in public life who appear on television or on the big screen who are content to be who they are, you can probably count on one hand.
We want to have movies be seen. So, first and foremost, what's the world? So we can get it onto a big screen.
I saw Danny Kaye in a movie, and he was doing voices and faces on that big, big screen and making whole audiences laugh. It was just an instant hookup.
I am a big fan of Jim Jarmusch and I do love big screen documentaries.
I really love `Serenity.' I'm really proud of it and excited to see it my guys on the big screen, bringing something new to it. But `Firefly' was a different animal, something I will regret losing until the day they put me in a box, because I did have a lot of good stories I wanted to tell.
The thing about a motion picture is that look of film on a big screen takes you into a magical.
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