This is interesting. Researchers have found that people who drive drunk are more dangerous on the road than drivers who are high on marijuana. Don't get too excited. It's mostly because the drivers using marijuana are just sitting in the Taco Bell drive-through.
I go into every meeting, into every room and for every speech understanding the standard deviation, the Bell Curve. I know there are about 10-15 percent of people in the room, who say, "I've been trying to say this for years. Finally. I agree. Yes, yes, yes." I know there are about 15 percent of the people in the room who think I'm an idiot, who think I don't know what I'm talking about, who think I'm naive or I have oversimplified everything. The majority who are open to the ideal.
On the Internet, people on the tails of the bell curve can find one another.
Not a single time have we gotten our rights from Congress or the President, we get them from God. And when He gives us those rights, He puts a warning bell inside of us. When somebody tries to take them, a warning bell goes off. And that's what America is feeling right now.
I kind of don't believe in actors directing themselves. Obviously some people have done it well, but I don't see how I could. It's funny that you ask, because I've just been thinking that maybe I'd rather direct The Bell Jar than act in it. It's a huge leap to go from a short to a feature, so I'm tentative - I'm like, Well, that's just so triple-type-A personality of you.
Long John I think went off the air in about '79 or something, so there was a hiatus. That's why I think Art Bell thought there was a spot to be filled. He was doing exactly the same thing.
When I was in New York working for [Frederick] Kiesler, at night I listened to Jean Shephard who lasted from 1957 until 1976 and then went off the air. But also I was listening to Long John Nebel. Now, Long John was what Art Bell and George Noory do now.
I'm interested in the left side of the Bell Curve.
There's an alarm bell that goes off in my head if I can sense that I'm making a mistake.
Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.
These days, you'd probably shoot it in the daylight and manipulate it in the post. That's [how] most people would do it. [I did the same thing with] with 'Diving Bell and the Butterfly'. No CGI. It's all live photography. And I like that, it's very challenging and exciting to be able to do that.
If you were to close your eyes and walk into a place of worship, the sounds and smells would alert you to where you were: ringing bells, incense, the rumble of a massive organ. Most brands are lacking these sensory stimuli.
Even though the play [ The Best Man] was written a long time ago, the characters seem modern and their struggles to make ends meet and to "have a little fun along the way" have a very contemporary feel. The similarity between the The Great Depression and The Great Recession - as well as the gulf between the super-rich and the ordinary Joe - still rings a bell. One of the things this production accentuates is how beautifully Grandpa and his family accept all kinds of people - rich or poor, black or white - and the best thing that can happen to you is to be part of a loving family.
A man is at the bar, drunk. I pick him up off the floor, and offer to take him home. On the way to my car, he falls down three times. When I get to his house, I help him out of the car, and on the way to the front door, he falls down four more times. I ring the bell and say, Here's your husband! The man's wife says, Where's his wheelchair?
If I'd had to work at Taco Bell I'd have still been out at night trying to play music.
I admired the earnestness of these people, many of whom had joined Greenpeace and marched for noble things in their youth. But I didn’t share their hatred of the establishment. After all, the establishment had given me so many of my favorite things: Nick at Nite, the New York Knicks, Stephen King, Taco Bell, Green Day. The list went on and on.
I think a lot of the bells and whistles that become available to you would be impossible to resist for some people, so it's just never going to be a real stand-in version of your comic. People will have to take advantage of the ability to have sound, or zoom in and out, whatever it is.
People never heard bells in Western music sounding really cataclysmic. You hear that more in Russian music or in Asian, Indonesian traditions.
The biggest thinker that's influenced my feminism is definitely Bell Hooks, who's a feminist cultural critic, because of her accessibility but also just because she's a genius.
1974 meant big cuffs, bell-bottoms, platform shoes with two-tone colors, and body-conscious shirts.
I was 35 years old and not in the best of shape. I spent many late nights playing music, drinking beer, and eating Taco Bell.
Slowly I began to realize that the bells and the confinement, the crazy sequences, the age-segregation, the lack of privacy, the constant surveillance, and all the rest of the national curriculum of schooling were designed exactly as if someone had set out to prevent children from learning how to think and act, to coax them into addiction and dependent behavior.
Let's pretend my career in music is a bell. Whether you like my music or not is up to you. But you've got to admit I rang that bell pretty hard and pretty often.
The way America sees Mexico, if they have any sense of it, is like Taco Bell. Our countries are neighbors, and the only hard food to get in America is true Mexican. It's impossible to find, even in L.A. Why is that?
I enjoy listening to Olla Bell. There is also this young guitar player, John Duke Lippincott, he sometimes goes by Johnny Duke. He is the most brilliant guitar player from right here in Wilmington, DE.
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