Western music is arguably America's greatest contribution to the 20th century, cultural or otherwise.
I'm very interested in music and where these sounds of Western music come from.
I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.
I'm not crazy about country-western music. But the lyrics are good. "I'd rather have a bottle in front of me than a frontal lobotomy" is pretty clever.
Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.
I've been informed by both sides, jazz, western music, Asian music, African music, all sides, because I've been interested in the sound of the universe, and that sound is without limit.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
The piano is a bit of a monster because it is this center of Western music and so much has been done with it and it is a fixed pitch instrument. It is a bit like trying to paint because there is the weight of all that has been done before.
With a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.
[Europe has] this tradition of self revelation in popular music. We have it here - it's called Country Western Music... I think that's where the deeper and more complex subjects are treated.
Within the context of Western music, jazz has always contained certain radical or revolutionary aspects. These are: improvisation, collective composition and individuality or the personal sound (based on amazing variations in sonority, timbre and pitch).
People never heard bells in Western music sounding really cataclysmic. You hear that more in Russian music or in Asian, Indonesian traditions.
Sometimes I lie awake at night and think about that little red-haired girl... I don't ever want to forget her face, but if I don't forget her face, I'll go crazy... How can I remember the face I can't forget? Suddenly I'm writing country western music!
I'm a big fan of gospel music, and you cannot be a fan of rock and roll, you cannot be a fan of country western music, and you can't really be a fan of jazz without listening to a lot of music that's religious.
I'm not crazy about country-western music. But the lyrics are good.
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