We actors can't say every line as if it has weight, but what we want to do is be true to the meaning of each line, whatever it is. Even the lines that are throwaway may come back later.
People with what we call mental illness can indeed serve well, and people who have no discernible mental illness - and that may be true of Trump - may not be able to serve, may be quite unfit. So it isn't always the question of a psychiatric diagnosis. It's really a question of what psychological and other traits render one unfit or dangerous.
If your experiences suggest to you that poor black folk are lazy, then you must be true to those experiences - except, however, as your experiences are pressured by empirical investigation of complex phenomena. I suspect that even when you control for variables of individual laziness, you'll see that what you see before you masses of black poor people unwilling to work hard to get better will not be as simply concluded as you might at first believe. Continue your good work.
There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.
The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there's this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead. I'm always trying to fight against the impulse to make my readers like me.
I do like Canadian poetry. Christian Bök, Anne Carson, Carmine Starnino, and Don McKay are a few of the Canadian poets whose work has been important to me. But I'm not sure that I do see poetry as a world apart. Some of my metaphors are based in the fantastic, but I try to be true to life as I understand it. That understanding is affected by my Canadianness, my Americanness, my whiteness, my gender, my age, my education, my experience...everything about me affects my view of reality. But I try to wrestle against those partialities, not embrace them.
Intuitionists think that there are cases in which, say, some identity statement between real numbers is neither true nor false, even though we know that it cannot possibly be false. That is: We know that it cannot not be that a = b, say, but we cannot conclude that a = b. We can't, in general, move from not-not-p to p in intuitionistic logic. , I suggest that the believer in vague objects should say something similar. It can never be true that it is vague whether A is B. But that does not imply that there is always a fact of the matter whether A is B.
Many people who call themselves deflationists are deflationists about propositional truth but not about sentential truth. I only ever mention that view to distinguish it from disquotationalism. I don't really have any objection to it, other than that I don't believe in propositions, so I don't think there's any such thing as a proposition's being true. Truth, on my view, is primarily a property of representations, such as sentences and certain kinds of mental states.
We all have a tendency to over generalize our individual experiences. After I've published something, I'll meet someone who says, "I'm Haitian, and I don't know this, so it must not be true." Even if we're talking about a work of fiction. I've gotten very angry myself reading many things about Haiti. We're not a monolithic group; no group is. Also, it's important to keep in mind the genre in which we are writing. Fiction is full of invented stories about exceptional people in exceptional situations. Those situations are not always cheery or celebratory.
I always thought I had to earn God's love and approval. I kept trying, but it never seemed like I could do it, and I thought, "Man, what's wrong with me?" A friend of mine was like, "Man, you're full of it. You're trying to do what Christ has already done: You're trying to earn your salvation and you can't - it's a free gift." It sounded too good to be true. He said, "You need to start reading the Bible for yourself and stop taking everyone else's word for it." When I really started to do this, I realized God loved me no matter what.
I think it's important to present role models for young women coming up. I really do believe you can't be what you can't see, and representation matters. So, for me, it's the idea of putting women in media in ways that present them as having power, being heard, being true to themselves, and done from the perspective of women.
While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.
When you say the tax system benefits the rich, there are a lot of people who respond, "That can't be true, look at the rate of tax. The people who are rich pay a higher rate than you or I." Well, yeah, but if you don't have to pay taxes on a lot of your income, then your real tax rate is a lot lower. And if you're allowed to pay your taxes thirty years from now instead of today then you're a lot better off. People need to have a sophisticated understanding of how the system works to appreciate that the posted tax rate really has very little to do with the taxes people pay.
I intentionally leave adults out in my stories, not to say that they're not in charge or that they don't care, or that they're failing at what they do. Not at all. It's two things: It's a way to be true to what adolescence feels like, because, okay, your parents may be around, but you still don't want them to be around. What you go through, you go through alone, I think.
Don't you wish you had a job like mine? All you have to do is think up a certain number of words! Plus, you can repeat words! And they don't even have to be true!
Journalists say a thing that they know isn't true, in the hope that if they keep on saying it long enough it will be true.
We cannot know the whole truth, which belongs to God alone, but our task nevertheless is to seek to know what is true. And if we offend gravely enough against what we know to be true, as by failing badly enough to deal affectionately and responsibly with our land and our neighbors, truth will retaliate with ugliness, poverty, and disease.
Your theory is crazy, but it's not crazy enough to be true.
I think carrying moral baggage is very dangerous for an artist. If you have a duty, it's to be true and not cover up the cracks.
To me, business isn't about wearing suits or pleasing stockholders. It's about being true to yourself, your ideas and focusing on the essentials.
That is the definition of faith - acceptance of that which we imagine to be true, that which we cannot prove.
Let man be true and every god a liar.
Men in general are quick to believe that which they wish to be true.
If a guy is intimidated by a woman in leadership, he has real problems with his own concepts of masculinity. That's a harsh statement, but I believe it to be true.
I got this idea of doing a really serious big work-it would be precisely like a novel, with a single difference: Every word of it would be true from beginning to end.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: