If appearances are deceitful, then they do not deserve any confidence when they assert what appears to them to be true.
Salvador Dali has been called kitsch, but, although some of this work may be grotesque, its brazenly self-conscious bad taste saves it from being true kitsch, which always strives to please.
Unquestionably the truth or fallacy of the theory of the survival of the soul is by far the most tremendous question that can exercise the human mind. The more you think of it, the more all other questions seem to sink into utter insignificance, for only if survival be true, can the Universe be rationalized at all.
Part of walking the line as showrunner is trying to please people and still be true to what you believe creatively.
As you get older your willingness to tell more of the truth is awakened and you don't have to think about it or imagine it because now you know this to be true.
We need some standard that will determine how likely a belief is to be true given just that it is stored in one of us, including strangers that one can ask for directions, and with whom one might collaborate.
The person you admire was true to himself. You can only truly honour him by being true to yourself.
Textbooks are written in an oracular monotone, so that they claim to be true and important.
Physicists have a bias to aspire to be "seers" like Einstein rather than "craftspeople" who do simple and practical research. I have seen that in economics departments. The same must be true to some extent in other departments.
We're back around to [Buckminster] Fuller again. Back around to the recognition of patterns, which may be true or may not be. But nevertheless, have enough of a semblance that they're worth exploring. That, to me, is where my work begins.
It is an interesting fact about model selection that the evidence at hand can indicate that a model known to be false will be more predictively accurate than a model known to be true. This opens the door to a kind of instrumentalism.
Most people don't have any association in their minds with what they do and with ethics. They think they somehow moved past the questions of morality or values or ethics, and that's something that I've never imagined to be true.
I read an interview with a Japanese freestyle jazz musician once, and he said something like, "Everything I'm going to tell you is not going to be true." He's not saying, "I'm trying to lie to you." But he's kind of saying that you can never say what something really is.
You have to be true to who you are.
If you're being true to who you are, and the things you believe in, that is so attractive to me.
You have to be true to the game you're covering, whether its being lite at times - I certainly try to be that way - but it is limiting because you're fitting it in around what's going on in the game.
It seems that there's a constant humbling - I don't know if that's the right word - because things are disproved all the time with new discoveries, at least that's the way it feels sometimes in the layman's world. Like, people will make proclamations of something to be true, and then 50 years later that's proven wrong because there's something else.
At the end of the day, the task I have is just like anyone else, to prove myself through my product or work. I've really found this to be true, the name advantage is a zero sum gain.
The key thing about life is to be true to a set of beliefs. And to be genuine.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
If the stories don't come from the inside out, then Bridget [Jones] is not being true to herself and it's very important to me that she stays that way.
The only thing contrived is the production - you can over-produce to the point you kill a good idea, you can under-produce so that the song's amazing but you'll have folks at a radio station saying they won't play it, so there's this balance, and it has to be true.
It will be true work that the kids can follow, as opposed to a facade of you doin' something, and you're doin' nothing.
The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.
It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
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