I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.
I used to beg for auditions. Now, they're being thrown at me.
Put a Post-It note on your mirror that says: 'Someone has to succeed. There's no reason why it shouldn't be me.' Repeat before every audition.
I'm feeling pretty fortunate. I've been having lots of lovely auditions and meetings, so I'm savoring the moment.
I always get a little uppity when I hear the phrase 'TV actor.' It's like saying you're a magazine reporter. I was in the theater for ten years before I ever had a TV audition.
I feel like every time I walk into the audition room, they can tell if you're faking it and if your heart's really not with it. So I try to keep it as real as possible.
I've always been slightly self-conscious as an actor, and I guess that sometimes reads as pomposity. Starting when I was 30, I somehow gave off an impression at an audition that had them mentally put me in a three-piece suit or put an attache case in my hand. If there was a stiff-guy part, the director would brighten up when I came in.
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.
I always say to my wife, don't tell anyone I watch this [shows like The X Factor and Pop Idol], but it fascinates me because I've done so many auditions and been knocked back.
I went for endless auditions for tiny parts in obscure plays, and never got one job until I was in 'Four Weddings'.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
When I auditioned to be part of the "This Is It" Tour, I didn't think I was going to get in. I didn't think it was for real at first, when I got the message on MySpace from the musical director to come in and audition for him. I came in and I played for the musical director, and that night Michael Jackson came in and sat down on the couch and I played "Beat It" for him. I just practiced as much as I could to make sure it was perfect.
Along the way, I've worked as a waitress, I've done phone surveys, and worked as a receptionist, and for the last twenty years I've taught. When I was an actor, the key was to find a job that kept your days free to audition.
A lot of people who wanted to audition for Idol have asked me: “What should I do?” or “How to I prepare myself?” I always told them: “Just go in and believe in yourself.”
I get them [auditions] from time to time, and I sometimes get auditions for big dramas, and I often think, well, I'm not going to get that part. This was a big surprise - it was The X-Files.
I remind myself: I am the best. I have the best. And I deserve the best. This is one of my personal mantras that I tell myself every morning before auditions, character work, and performances.
I don't strive for balance. I just try to get through my to-do list, with my kids' homework being at the top of it, and then try to prepare for the next audition or whatever scene I'm shooting next. Balance.
Sometimes girls would come in and audition and they'd talk down, and it was like, "No, no, talk to the human eye level."
I grew up loving fantasy, adventure, and children's book series. At the time, I was in a place in LA where I wasn't working and I kind of thought to myself, "What do I really want to do? Like, what kind of role would be really exciting for me?" And I sort of thought about being in an adventurous, magical, fantastical world and a character that was powerful and sophisticated and perhaps even a dandy, that might have even passed in my head, and then I got an audition for the show ["The Magicians"] shortly after.
As an actor, when you walk into a room to audition, you get five minutes with a casting director, who doesn't even look at you, most of the time.
It's a guy thing, playing the guitar. Being a female and trying to go to the same auditions as the guys, it's pretty hard.
Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.
With acting, it [auditioning] is very frustrating. I'm not very good at auditions. Sometimes I audition for a role and I'm like, I'd be really funny in that role, but I'm not good at auditions so I guess I'm not getting that role. It's a very frustrating job.
I still have auditions for independent films. I've been still working.
I never thought I'd get [a 'Pitch Perfect 2'] audition because the film was just so massive.
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