The celebrity aspect is nothing short of ridiculous, and auditioning is brutal and dehumanizing. Every time I see a pretty young girl on the subway reading sides for an audition, my only thought is, 'Man, am I glad I'm not doing that anymore.' I never feel nostalgia, just relief.
When I finished my A-levels, I assumed I'd be able to get work as an actor. But I couldn't. I didn't get an audition. Nothing. So I thought I'd better train and then the parts would come.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.
Every audition that I walk out of where I think I nailed it, I never get that job, ever.
This is the first time I've ever played the Grammys. I finally passed the audition.
In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.
Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.
I'd spent ten years in London, writing and performing my own comedy shows. They gave me the Cheers [scenes], and I thought it was the springboard for chatting about the show, because in England, that's what you do. So I walk in, and I'm looking around, and Jimmy Burrows said, "What are you looking at? You're not here to have a conversation; you're here to audition."
That's the best way to audition for anything: When your back-up plan is your dream, you know?
I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
Some of the most cutthroat auditions youll have as an actor are when youll have three words to say.
What's so kind of beautiful about the whole thing was that everything that made me not right for all of those hundreds of commercial auditions that I went on and no one ever wanted me for is what made me perfectly right for 'Real Women Have Curves'.
My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up Backstage magazine auditions and grinding.
I'm never offered any sort of roles. I need to audition in a typically lengthy process to receive roles.
Notes are tricky in an audition, because I find, more often than not, my instinct is right.
Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.
My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.
Practice being happy. Work at it. It's a new role, I realize, but you'll get it. The auditions will be coming up very soon. So get on top of it. I'm sure you will get the part.
If you go in and audition for roles rather than just be offered them, then you kind of get a chance to kind of discover that you can do something that you didn't think you could do.
I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.
Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.
I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
I can see my ghost trying to get that Academy Award, forever stuck in a casting office. Can you imagine? I've spent enough time in audition rooms. I don't want to be doing that in my afterlife.
If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.
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