Audience Quotes - Page 14

• My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

  Ian Mckellen

  Film, Reactions

  Source: collider.com

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• When you're on stage with an audience, the director's nowhere to be seen. He's onto the next job.

  Ian Mckellen

  Jobs, Directors, Next

  Source: collider.com

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• It's hard for actors to have to deal with the fact that they pour so much into their character, but the audience might have a negative assessment of them.

  Romola Garai

  Character, Assessment, Negative

  Source: collider.com

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• With all of this new technology at our hand, there is much more opportunity to show and to allow the audience to take in bits of the story on a more subliminal level, as well as the more expository, simply because they are getting things from different ways. It is really interesting to see where that can go.

  Rick Heinrichs

  Technology, Opportunity, Hands

  Source: collider.com

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• People tweet me all the time and tell me how much they love it, how they can't wait for the show to come back on, that they're addicted to the show. So that's really rewarding. As an artist, we're all looking for that connection to an audience and when you find people as diehard as our fans are - it's sort of like finding the holy grail.

  Glen Mazzara

  Artist, People, Holy Grail

  Source: collider.com

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• You really have to do your job as a writer and push people to be as creative as possible. What's nice about the TV medium is you have such a connection to the characters that when somebody dies, the audience cries. They really feel it. You really don't cry when someone dies in a horror movie.

  Glen Mazzara

  Jobs, Nice, Character

  Source: collider.com

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• I think we're going to transition with our comedy programming, trying to broaden the audience and broaden what the network does. Those Thursday comedies, which the critics love and we love, tend to be a bit more narrow than we'd ultimately like, as we go forward.

  Robert Greenblatt

  Thinking, Trying, Transition

  Source: collider.com

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• I think the other side of that is embracing the claustrophobia, and that's what a huge piece of this show is, just watching people go through having to be stuck in that. I think the audience is going to feel some of that. It might not be comfortable, but it's really cool to just be experiencing that along with the characters that you're watching.

  Kyra Zagorsky

  Character, Thinking, People

  Source: collider.com

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• As writers, we're always trying to connect with the audience on a visceral level. We usually do that through drama, through emotion or through humor.

  Rockne S. O'Bannon

  Drama, Always Trying, Levels

  Source: collider.com

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• Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.

  Genndy Tartakovsky

  Home, Air, Tvs

  Source: collider.com

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• I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.

  Joel Kinnaman

  Play, People, Shooting

  Source: collider.com

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• You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.

  Joel Kinnaman

  Character, People, Scripts

  Source: collider.com

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• I've been an audience member for friends in plays that I don't enjoy and I have to lie to their faces. It's just part of that lifestyle unfortunately, especially in New York.

  Zoe Lister-Jones

  New York, Lying, Play

  "Zoe Lister-Jones Talks LOLA VERSUS, Her Ambitions to Direct and Write a Novel, and Her Next Film MOTHERFUCKER". Interview with Sheila Roberts, collider.com. June 7, 2012.

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• I'm interested in finding sounds and ideas that help bring the audience into the world that we [moviemakes] are all trying to create. Sometimes that's with synthesizers, and sometimes that's with French horns. I love using all of them, depending on the scenario.

  Joseph Trapanese

  Ideas, Trying, World

  Source: collider.com

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• I have to put myself back in the audience's shoes and figure out what they would know and not know. But, there are also times when I do know what's coming up and I maybe need to hint at it, though not in a big way. It's a little bit of both. It's an interesting tightrope to walk.

  Joseph Trapanese

  Shoes, Interesting, Hints

  Source: collider.com

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• Sometimes not honoring your character makes for really good television, but that also can really upset fans. You have to turn things upside sometimes. As a storyteller, you have to know that sometimes you're going to let your fans and the audience down because you have to do your part in servicing the story.

  Azita Ghanizada

  Character, Upset, Fans

  Source: collider.com

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• There's always a crisis somewhere, and you get the satisfaction of solving the problem. And then, there's always the mystery of whether a program will work or not, and waiting for the reviews or seeing what the audience figures are.

  Rebecca Eaton

  Waiting, Satisfaction, Mystery

  Source: collider.com

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• When we approached the project, the very first thing we did was take each character and say, "Okay, where would this character be?" We didn't want them to be caricatures of themselves. We wanted them to live and breathe, and grow with the audience and with us.

  Jon Hurwitz

  Character, Want, Firsts

  Source: collider.com

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• I've always had a feeling that the image is 50% of the emotion that an audience feels and it's subliminal. Yet, how you arrange the elements in front of a camera has an impact on people's belief about that world in some way.

  Scott Hicks

  Impact, People, Feelings

  Source: collider.com

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• You can never predict what an audience is going to respond to and what they're going to watch. What we always knew was that we were making something that we were proud of and that we thought was important, and we hoped that people would feel the same way.

  Josh Lawson

  People, Important, Watches

  Source: collider.com

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• I needed to create some dramatic tension to sustain the interest of the audience. For instance, the boy in the film is not in the play, so this relationship that he had with the former teacher, and his guilt, this is not at all in the play. I thought it would be interesting to look at in the film, and I added stuff like that around the main character. For me, it was not more difficult or less difficult.

  Philippe Falardeau

  Teacher, Character, Boys

  Source: collider.com

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• I don't think the film is going to work for everybody, period. It wasn't meant to be done for everybody. I didn't four quadrant this movie, like Hollywood did. I knew it was a very specific audience that was there. We're also taking a shot in the dark.

  Joseph M. Kahn

  Dark, Thinking, Hollywood

  Source: collider.com

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• I'm imagining there's a particular audience out there that's younger and older, too. It works on two levels. Do they exist? I don't know. I had to make it to find out if it does. When you do something this experimental, that's part of the process and part of the risk. I only spent my own money, so that I'm the only person that gets hurt, if it fails.

  Joseph M. Kahn

  Hurt, Two, Risk

  Source: collider.com

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• I'm not interested in the director's commentary stuff. I think that stuff is really boring. And, if the director explains too much, it takes a certain mystery away from the interpretation that is very important for the audience to have. The audience should have their own interpretation.

  Joseph M. Kahn

  Thinking, Should Have, Important

  Source: collider.com

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• The filmmaker should make it, and then the critic should interpret it, period. If the director goes in there and starts telling you exactly what to think, you have just completely slapped the audience in the face and not given them the opportunity to interest it, and that's terrible.

  Joseph M. Kahn

  Opportunity, Thinking, Directors

  Source: collider.com

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