The direct investment of Japanese businesses to East Asian economies accelerates the reallocation of their production bases. Consequently, between Japan and the other East Asian countries, both exports and imports are growing substantially.
People's view of exotic or Asian women are changing. It's much nicer to hear 'She's pretty' than 'She's pretty - for an Asian woman.
I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.
So that’s what we want is a secure and sovereign nation and, you know, I don’t know that all of you are Latino. Some of you look a little more Asian to me. I don’t know that. What we know, what we know about ourselves is that we are a melting pot in this country. My grandchildren are evidence of that. I’m evidence of that. I’ve been called the first Asian legislator in our Nevada State Assembly.
I've been called the first Asian legislator in our Nevada State Assembly.
I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.
A whole bunch of big technological shocks occurred when Asian innovations - paper, gunpowder, the stirrup, the moldboard plow and so on - came to Europe via the Silk Road.
People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
In America, people think being South Asian is still kind of exotic. When you go outside New York and Chicago and L.A., there are people who have never tried Indian food... they've never even tasted it!
I am convinced the next major attack against the United States may well be conducted by people with Asian or African faces, not the ones that many Americans are alert to.
The Indian economy grew at 5.5 percent, but if you look at the last 30 years - for example, 1960 to 1985 - the progress made by East Asian countries was phenomenal. In a single generation they had been able to transform the character of their economy. They were able to get rid of chronic poverty.
As we women know, there are so many other hurdles that we have to cross that I would love it if we could stop having the race conversation so that we can get women further on. You know, a female president now that we have an African American president. Maybe we can get an Asian female, a gay person?
I don't want to have people brought in simply because they are black or Asian.
I like having black hair. When I was really young, I wanted to be Asian - Asian hair is beautiful. I also wanted to look like the girl in George Michael's 'Father Figure' video.
I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else.
If you're Filipino, you're the beaner of the Asian community 'cause you're just like us. You're indigenous people that got banged by some Spaniards. That's why you have names like Kwan Ping Del Toro.
Bruce Lee was the first guy to bring film recognition of Asian men not being wimps, so it made me want to be as powerful as he was.
I was clear: "I don't want to play businessmen with bifocal glasses and cameras, so if you're going to give me an Asian bad guy to play, then I'm going to give you the baddest Asian bad guy you've ever seen, and you're not going to forget that I was in the film."
People say, "How come you play bad guys so much?" And I say, "Well, have you seen many Asian good-guy roles?"
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.
It always interested me that 'Goodness Gracious Me' and 'The Kumars,' when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure.
People never heard bells in Western music sounding really cataclysmic. You hear that more in Russian music or in Asian, Indonesian traditions.
It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say.
And having those mystical elements you see in Asian cinema and certainly Asian martial arts cinema, it's something that we wanted to begin to introduce - the idea of spirituality and the idea of there being something else out in the world besides people who are great fighters.
One of the things I had to really wrap my head around is I have no control over what people call me: advocate, activist, gay, Filipino, undocumented person, gay person with an Asian face and Latino name.
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