Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.
Even this artistic life, which we know is not real life, appears to me to be so alive and so vital that it would be a form ingratitude not to be content with it.
When I wake up I just make it happen. My dreams come true- that is the artistic practice.
That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance.
The struggle for democracy has to be maintained on as many fronts as culture has aspects: political, economic, international, educational, scientific and artistic, religious.
Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.
I glory in the fact that a human being has multiple talents and exercises them all with a degree of integrity and artistic proficiency. That's what I do.
Speaking of nudes, I have always had a great fondness for this subject, both in my paintings and in my photos, and I must admit, not for purely artistic reasons.
Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that's their definition, essentially. No artistic merit, causes sexual thoughts. Hmm... Sounds like... every commercial on television, doesn't it? You know, when I see those two twins on that Doublemint commercial? I'm not thinking of gum. I am thinking of chewing, so maybe that's the connection they're trying to make.
I enjoyed learning something and, uh, so I think like with anything in life, in the schoolroom in an artistic endeavor, if you have just a really good teacher, it's inspiring. I certainly use, in my work, I mean, I used to rely heavily on imagery. I was obsessed with this photograph that was in the NY Times of a fish engulfing a smaller fish and this smaller fish had this look in its eyes; it knew what was about to happen and, I don't know how they ever captured such an image, but I've used that for a play I (did). It's called "Saved."
I've just always been that kid that was like, "Look at me! Look at me!," and doing performances and skits. I'm also, as most artists are, a very sensitive person, so I need that outlet to release that. Art needs to be in my life, otherwise I can't function as a human being. I heard Madonna say, "Live it, breathe it, eat it." That's how I am with the artistic part of myself.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.
The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
Always, when the words art and artistic are applied to my photographic work, I am disagreeably affected. This is due, surely, to the bad use and abuse made of those terms. I consider myself a photographer, nothing more. If my photographs differ from that which is usually done in this field, it is precisely because I try to produce not art but honest photographs, without distortions or manipulations.
The majority of photographers still seek artistic effects, imitating other mediums of graphic expression. The result is a hybrid product that does not succeed in giving their work the most valuable characteristic it should have, - photographic quality.
Before becoming an actor I kind of just wanted to paint and live somewhere and do something low-key and artistic.
The short-term problems are economic - royalties, unions, irresponsible management. The long-term problems are artistic, and they started 40 years ago with the advent of television and the upgrading of films.
We used the camera only as a means of expression and as a visual medium that offers possibilities found in no other artistic technique, possibilities that the eye cannot catch in their totality. We tried to establish a characteristic vision of photography.
I think that all human activity is stupid. Artistic activity is also stupid, but you can see it more clearly.
Documentary is, therefore, an approach, which makes use of the artistic faculties to give vivification to fact - to use Walt Whitman's definition of the place of poetry in the modern world.
Theater people work by instinct. I've never known a really calculated artistic decision.
It's a pity I am so impatient and careless, as any ordinary person could learn all the techniques of photography in a week. It is the democratic art, i.e. technical skill is practically eliminated - the more foolproof cameras become with focusing and exposure gadgets the better - and artistic quality depends only on choice of subject.
In some cases, I allow the edge of the set, the edge of my own artificial, artistic imposition, to show up because I don't want to hide from that. I want to acknowledge that there is a living human and a living eye and a living mind and a living heart responding to what's going on out there.
They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )
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