My folks are hilarious extroverts and have always been very supportive of all my artistic endeavors. I'm really lucky to come from such an encouraging family.
Initially I started in theatre as a Shakespearean actress before film and television. I've always been an artistic child growing up and I knew I wanted to act for as long as I can remember.
Finally, this is one way to reconcile the delight in beauty with the bourgeois life. Aschenbach, on one reading, has spent virtually all of his adult life balancing his restrained homosexuality, which is bound together with his sensitivity to beauty and thus with his artistic vocation, against the demands of conventional society.
So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.
In a personal way, to do with family and the father-son relationship, in a kind of artistic way with regard to him being an art student. I also studied the visual arts at Lancaster University. I then decided to become an actor as he was becoming a musician. And then as an actor/performer, we have similar sort of interests - music hall and that whole world. So, there's a lot that I felt connected with.
I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.
The bottom-line, you just have to. You do it because you want to do it and need to do it. You live life just one time. Why sit around and wait for the phone to ring? Even though I'm in a hit phenomenal show and it happens once every ten years - a show this big and popular - the last thing I want to do as an artist is feel comfortable and bide my time. Now is the time, more than ever, in this artistic explosion to do as much as we can!
I think from my earliest childhood, I liked to tell stories, put on plays and write things. It's funny to think of it as an "artistic bug" because I didn't necessarily want to be an artist. It's just who I was and how I communicate.
Whenever I visit Korea she [Kang] buys me lunch and takes me to a gallery. As if all this wasn't enough, she has incredible respect for translation as a creative, artistic practice - she insists that each English version is 'our book', offered to share her fees with me when she found out I wasn't getting paid for translating her publicity stuff, always asks the editor to credit me, and does so herself whenever she's interviewed. Too good to be true.
Visuals are as artistic as sounds, so being serious about both isn't a contradiction to me.
The 70's was a great time for artistic expression in Jamaica and I was in the heart of it, unconsciously soaking it up and paving my future.
While there are so many beautiful Baroque churches and it's a beautiful artistic tradition, it almost gets hideous and grotesque if you push it further. You can take something beautiful and overdo it.
I was really artistic. I did a lot of poetry, a lot of writing.
Despite some standout events, 2012 was demoralizing. The Met felt adrift, and New York City Opera couldn't claw its way back to artistic health.
I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.
You go where the work is. It can be in my own back yard, Israel, Spain, or Yugoslavia. We may have the greatest technical efficiency in the world, but our artistic values are not necessarily the best.
If you look at how great artists of the past, like Beethoven, for example dealt with art and morality, you see that there was torture and pain in their work, but there was also dignity in the way that was dealt with. So I don't buy this contemporary notion that the only way to be artistic is to be arrogant, offensive or immoral.
Being a Catholic, I was drawn to the mystery of the Latin and the smoke and the mirrors and all of that. That part of my disposition definitely did lend itself to finding my way to the back door of some artistic pursuit.
I think words speak to us even though they may be written on a wall. So we hear them in our mind. We say it to ourselves. But they are also visual things. You draw them. They are designed. They are colored. They have a certain size. I put them in a certain place. So they are objects that have to be - artistic decisions have to be made in terms of the color and the size and the line and whatever.
What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.
I am working on a list for collaborations and it's just another way to share your artistic talent with other artist.
Jumping twenty or so years later, Ann Ciccolella, artistic director of Austin Shakespeare, approached me with the idea of staging Anthem. She had heard my film score to Ayn Rand: A Sense of Life. And she said, I want to do Anthem as an oratorio. Well, I figured what she meant was a straight play with music.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
I want to have conversations, because they give you confidence in your choices. I learned it first on Boyz n the Hood, but it is not a race-based experience - it is part of the artistic process.
I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.
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