Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see.
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.
It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
I get kind of tired of the "But it's your life!" attitude about memoir. I wrote. I engaged in artistic production. I made a piece of art. Why the preciousness or mystical unicorns around "memoir"? I'm curious how you feel about it just now.
I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
Well, it's pretty ironic to get an artist achievement award from the same foundation that disavowed one of my artistic achievements (that they had also earlier funded). It's a goddamn brainteaser. The Endowment had reinforced the worst bullying tactics of powerful lobbying groups and had created a less-secure environment for their own funded project to do its work in
It's not disappearing in that sense, and it's not disappearing in an artistic sense - trying to make something beautiful that means something. If it's something beautiful that means something just to us, that's enough.
There are many in East Asia who simply judge students on the basis of national tests. The top universities in the United States do not do that, and for good reason. We need a careful process for admissions that take all sorts of factors into account: different intellectual strengths, artistic expression, economic standing, social background, ethnicity, regional representation and designs a class as a balanced whole.
Having more candidates come with a creative and artistic sensibility would actually bring more people out to vote.
Having financial independence does not increase one's chances of independent, artistic creation whatsoever. Our conditioned behavior toward mimicry for the sake of market forces is an amazing syndrome. The watchtowers guide us well.
The more money you make, the more the culture already attracts you to serve it, with an aura of glitter and power, to reproduce it in even stronger ways. And you have to resist that so much if any meaningful artistic integrity is to be had.
Putting your ego aside and confronting your weaknesses and just letting things happen is hard. Not to use a Scientology term, but it's difficult to do an emotional or an artistic audit.
My artistic process involves pens, gesso, acrylic paint, and markers, all on vellum. I use a window painter's technique and paint on the backside of my image before I mess with the front.
When I was growing up, it was still during Apartheid, so the country was very shielded from the outside artistic world. Anything that was too subversive was basically banned. All the music that we got from outside of South Africa was the poppiest, least subversive music that you could get.
By trying to give an artistic approach through my book I stepped unwillingly into other fields. Like a dentist being asked about a throat ache on a much more relevant scale, I was caught in trying to explain what was unexplainable for me. In the end, trying to explain why it was unexplainable finally led to a huge general insecurity in dealing with the subject at all.
I don't think there's ever been a moment in history where that, as an artistic message, has played very well, because people in their hearts know that's terrible and a lie.
Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
I'm not looking for artistic license with the script. I tend to arrive at a form with the script and feel that that should be for the time being what we aim for.
London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
I don't think the latest Star Wars pictures have any artistic intentions, but the original picture opened up epic science fiction.
Art and religion have the same origin. Art first, or religion first? Maybe consciousness first! Consciousness always comes with religious feeling and artistic identification. It's the same origin.
I want to put it back together now, this artistic expression that contains religious feeling. I want to investigate: What was the origin? What's happened in the human mind? Can we trace back the moment of the creation of human consciousness? And why did only humans gain consciousness, not other animals? So, evolution? I don't know whether or not I can believe evolution. Maybe we wait for another 100,000 years and then apes get consciousness.
When I started I didn't know anything about music. I came from an absolutely non-musical, non-artistic background.
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