Somtimes I regret [that debut album was titled "Bad Azz" ], because people take it the wrong way. Everybody got a bad ways, and I'm a 'Bad Ass'... whenever I'm not good, so that's what I'm talkin' about.
I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win [in Hip Hop Survivor: Down South Edition.].
Even just making albums - which was more within the structure that I've worked in for years - you have no idea how people will respond. You don't know if it'll be any good whatsoever. It can be terrifying.
["A Deal with God"] was the first single off Hounds of Love. I'd put a lot of work into putting that album together and I wanted it to have every chance.
The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.
50 Words of Snow just didn't seem to have the complications that quite a lot of albums have. It felt to me like it had this very good flow of energy.
I wanted to create an album that spoke all the musical languages I loved.
I never wanted to do the mixtape circuit and 300,000 people hear it and that's a chapter of my life and when I do another album I'm coming off of that chapter but the whole world didn't hear that chapter so it's like I would have to start over.
Once I finish one album I know where to begin again.
Every time someone come out with an album don't change the whole style up but don't do what they are expecting. Surprise them.
I only made x amount of albums in 20 years and to still be living comfortably. A lot of people and friends look at me and be like yo Ra how do you do it? You don't go on tour every year and you don't make an album every year, you chill with your family and watch TV. Everyone else is out on tour getting that money. But I managed to do my thing right with the help of my accountant and I'm still comfortable.
My son plays football so I coach a couple of his teams. My youngest son just started playing last year and I assistant coached for one of his teams. I try to be there as much as I can. I also want to kill the stereotype. I want them to respect me as a man and a father first and then if you like hip hop go buy my album.
When I hear my first album today I hear myself reading my rhymes but I'm my worst critic.
I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.
Initially, when I was first starting as a musician, I was a very nationalistic figure and I used to believe in doing a lot of national songs. I would always have a national song in the albums I did.
I wrote, in total, about 50 or so songs (finished and unfinished) in the 2 and a half years leading up until this moment, and trying to decide what songs to include on the Mini-Album was super difficult, because there were so many different sound/mood roads I could have gone down. But, after going through everything, these tracks seemed to fit together and communicate a similar sentiment and mood the best.
I'm really into a lot of different music, and a lot of stuff that sounds absolutely nothing like anything on the Mini-Album.
Like, in retrospect, this whole Mini-Album is about itself, and the process of letting go of the fear of what people will think about the music or of me or whatever and just putting it out there. But none of that was intentional at all.
[Drizzy] ,it was dope. A great experience, especially with the topic he was talking about and to be... organic.I'm glad that it worked out the way it did where I got to tell my story, tell his story at the same time... and actually have it make sense as far as the whole concept of the album.
That's kind of the weird thing about Salad Days. I had to block time off from touring and tell my management and label like no press, no nothing. Let me make an album. You guys are running me dead.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
[Chamber of Reflection off of Salad Days]I think it's probably that one. There's no guitar on that song, I've never recorded a song with absolutely no guitar, which is interesting. The idea behind it, well it's a Free Mason reference because before they become Free Mason's they had to go into this room called the Chamber of Reflection where they think about the life they brought with them, the life they've lived up until this point and all their wrong and right doings. And that's basically what I did with this album.
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
I lived in Brooklyn for a year and I moved out to Rockaway Beach. I've been living here for two years now. I put my address on the album, so I have a lot of visitors all the time.
I've never done an album in the same place really - I like to be able to remember where I did every single one of them .
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