Hip-hop don't have no fresh energy, none at all. It's money driven, everybody tryin' to make that cheque, nobody putting art in their albums any more.
Of all the albums I've made, I still don't feel like I've made the perfect album. I've had ones that touch on this, and others that touch on that, but never one that's just perfect and fully relevant. I don't know if I'll ever make it, but I'm certainly trying every day.
Every time I work on something, fun comes first. Whatever it is I think if you have fun doing it, the other things will follow. Albums sales or ranking on charts aren't important.
My musical style has changed dramatically from my first album until now. That's the real developmental shift. But my clothing has pretty much stayed the same. The important thing is to be real.
A lot of people put out albums with sort of crappy songs and a couple of singles because they know no one's going to listen to it anyway. We very much wanted it to be something that you do listen to from beginning to end and had a narrative that was important.
I'm not the kind of person that's so self-confident that I would ever think I had recorded anything great. I know that whenever we finish an album and turn it in, I know that in my deepest heart of hearts that we did the best that we could. Only time goes on to tell what I will think of it 10 years later or if people will listen to it forever or if people will get tired of it.
I can't understand how some bands are criticized for doing something different and other bands are rewarded for doing things different. At the end of the day, I throw my hands up in the air and say, "F**k it." I've come to accept that no matter what we do, there's going to be somebody out there on the Internet that says it's a piece of s**t and somebody who says they really like it. That's happened with every single album we've put out.
I just think I'm a narcissist, really! I guess when I write albums, they take a huge amount of time out of my life and I'm aware of not using the same processes as I did with the last one, or else I'd get really bored and wouldn't feel inspired.
I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
I have the time needed to support the album and tour.
In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.
I always wanted to have my own album released before I graduated from high school.
I think you can really gauge my state of mind by listening to my albums.
Mormons aren't gonna buy my album but, you know, what are you gonna do?
I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.
For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
I've been told I sold 110m albums and singles. If that's the case, I should've come here in a space rocket.
When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
That's why it's called Sebastian Bach. I mean, it's a permanent band, pretty much, but if I jam with other people, it just makes a better album, I think.
All of these reissues were not authorized by me, I do not endorse them, the live album was put out without my permission, and I've not seen a dime at this point, either.
Hendrix inspired me, but I was still more into Wes Montgomery. I was also into the Allman Brothers around the time of those albums.
I never do any album to beat it. I do it to extend it.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: