We play it differently now. If we did the album now it would be different.
All I really wanted to do was make an album that was going to be just back to what I like to do... And it was a coincidence that these new bands, this new wave of bands, were doing Alice and Iggy rock.
I don't have to be working on an album to record a song.
The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.
Between the record companies being the way they are and the fact that people can just download one song instead of buying a whole album, it's hard to make a good living nowadays.
Issues deals with the issues I had, the fears I had and it isn't a 'nice' album but fears and depressions are not particularly nice.
It seems like bands have stopped making timeless, great rock albums like they did back in the day.
I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
Books don't live and die by awards. You don't listen to an Hector Lavoe album because it won some awards.
The mystical poetry of William Blake's artwork also forms the basis for the album cover.
To go indie is a thing. But to put an album in the stores, you need a distribution label.
When I was working with David Cassidy at the Rio, I made an album of updated versions of some 1970s disco tunes. I had a blast.
I'm not into music - the only music I like is musical theater, but I have every Ween album.
Every leading lady I work with, I'll see if I can get a song out of them and put it on an album.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
The album requires a certain focus of mine that I can't really explain - let's just say it's all I can really do while I'm doing it.
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
I hold 'Mi Tierra,' my first Spanish-language album, very close to me because that was all done in my native tongue and won me my first Grammy.
I just really want to make albums - and however I can, I will.
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
It's a massive undertaking putting an album together... It's not light weight at all.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
I knew I was destined to be a rock star. I just knew it, like I've always had the power of foresight. I feel right now exactly the way I felt after I finished mixing my first solo album 'New York Groove'.
What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.
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