Every new skill you learn, every adventure you go on, every new thing you try, it only makes you a better artist.
People should be able to develop their abilities and interests and have access to such goods as friendship, artistry, and nature and a political voice. It's possible to be poor and yet have all this, but in a polarized society, and one where culture and adventure have been thoroughly monetised, it is a lot more difficult.
Normative ethics, pursued as a free, systematic, and critical attempt to find moral truth, regardless of religious and other authorities, is a rather new adventure. Let's wait and see what will happen!
I think what a lot of people forget is that a lot of the music in the '60s and the '70s was made in the spirit of daring, spontaneity, and adventure, so the minute all that sinks into this sense of a classic form, it has lost its spirit.
Don't forget that at the end of the 70s people were much more into wild experimentation and hedonistic adventures. There was not really a fear of sexual diseases like HIV or aids back then, all that came later.
I can write a story in working-class Stockholm Swedish, but I'm not going to assume I can perform the same feat with Cockney. I'll focus on adventures in story, themes and structure instead.
Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters. So it's just that - getting to have more of these singular little adventures where you get to be a part of a completely different world.
Everybody needs adventure, and everybody needs something to enlarge his or her lives.
We have a society that's trying to make sure that nobody gets any adventures because adventures are dangerous and danger is bad.
The rule is not written anywhere, it's not etched in any - but, I mean, that's the prevailing attitude of this entire society. Don't have an adventure.
Certain kinds of people just can't live life taking risks with adventure.
We're just inviting adventure into our life, and adventure carries a little baggage.
As I was reading the book [Superficial: More Adventures from the Andy Cohen Diaries] I kept thinking, "Sweetie, you are dancing as fast as you can!"
I hope people will find the book [Superficial: More Adventures from the Andy Cohen Diaries] a whole lot more than hollow.
I either wrote at the end of the night or sometimes in the morning. Sometimes they were full entries, or others I just wrote notes about things that happened that day or funny thoughts I'd had. If I had a truly eventful day, I'd take the time to write it all down in great detail. I edited a lot of content out once it was all finished - there was way too much, and I didn't want to bore anyone. I like to keep the book [Superficial: More Adventures from the Andy Cohen Diaries] moving at a fast pace.
I was waiting for the right guy to come along, but maybe I didn't actually want one, or was not available emotionally. I was really nervous about including him in the book [Superficial: More Adventures from the Andy Cohen Diaries], but this relationship has developed over a year and a half, and so it would've been dishonest not to.
We've all seen lots of stories about a young protagonist having adventures, and usually they're all boys, [and] there is sometimes a token female, or two.
I have had a lot of fun pushing the boundaries on my balloon and kitesurf adventures, breaking some world records in the process, and I think this attitude of having fun whilst working hard is one that lends itself very well to successful entrepreneurship.
I just think you need to spice up life every now and then with a bit of adventure and excitement.
I had run into Kari Lizer at an airport, I think, and she said, "Would you come on the show [ The New Adventures Of Old Christine]?" And I said, "God. Absolutely."
It was a very interesting challenge [Heihei role] because he's limited to rooster-y, chicken-type noises, and he goes along on the whole adventure. It just becomes, "If that's how you express yourself, go for it.
As for the discipline, we [me and Frank Moore Cross] belong to two different disciplines. One involves research and archaeological materials. Mine is more interpretive. But it is the love for the text that is there, and that is what makes the whole adventure of reading and studying and sharing worthwhile.
Liberalism isn't quite as liberal as it pretends to be. And it goes through my adventures with the FBI during the anti-war period and the civil rights period.
[Cade Yeager] is like a man on the run which is fun, it's a bit of an adventure story.
[My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure.
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