Imagination grows by exercise, and contrary to common belief, is more powerful in the mature than in the young.
There are three rules for writing a novel. Unfortunately, no one knows what they are.
An author spends months writing a book, and maybe puts his heart's blood into it, and then it lies about unread till the reader has nothing else in the world to do.
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
We do not write because we want to; we write because we have to.
A good style should show no signs of effort. What is written should seem a happy accident.
To write simply is as difficult as to be good.
All the words I use in my stories can be found in the dictionary-it's just a matter of arranging them into the right sentences.
The best style is the style you don't notice.
I write only when inspiration strikes. Fortunately it strikes every morning at nine o'clock sharp.
There is a sort of man who pays no attention to his good actions, but is tormented by his bad ones. This is the type that most often writes about himself.
You cannot write well or much (and I venture the opinion that you cannot write well unless you write much) unless you form a habit.
Words have weight, sound and appearance; it is only by considering these that you can write a sentence that is good to look at and good to listen to.
I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
Writing is the supreme solace.
The great American novel has not only already been written, it has already been rejected.
It's very hard to be a gentleman and a writer.
Habits in writing as in life are only useful if they are broken as soon as they cease to be advantageous.
It is well to remember that grammar is common speech formulated.
We do not write as we want, but as we can.
No author can create a character out of nothing. He must have a model to give him a starting point; but then his imagination goes to work, he builds him up, adding a trait here, a trait there, which his model did not possess.
A good rule for writers: do not explain overmuch.
Heaven knows what pains the author has been at, what bitter experience he has endured and what heartache suffered, to give some chance reader a few hours' relaxation or to while away the tedium of a journey.
There are men who are possessed by an urge so strong to do some particular thing that they can't help themselves, they've got to do it. They're prepared to sacrifice everything to satisfy their yearning.
No one can write a best seller by trying to. He must write with complete sincerity; the clichés that make you laugh, the hackneyed characters, the well-worn situations, the commonplace story that excites your derision, seem neither hackneyed, well worn nor commonplace to him. ... The conclusion is obvious: you cannot write anything that will convince unless you are yourself convinced. The best seller sells because he writes with his heart's blood.
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