The moment we break faith with one another, the sea engulfs us and the light goes out.
The occurrence of an event is not the same thing as knowing what it is that one has lived through.
Hatred is always self hatred, and there is something suicidal about it.
Society is held together by our need; we bind it together with legend, myth, coercion, fearing that without it we will be hurled into that void, within which, like the earth before the Word was spoken, the foundations of society are hidden.
To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.
For these are all our children, we will all profit by or pay for whatthey become.
It is a very rare man who does not victimize the helpless.
A writer has to take all the risks of putting down what he sees. No one can tell him about that. No one can control that reality. It reminds me of something Pablo Picasso was supposed to have said to Gertrude Stein while he was painting her portrait. Gertrude said, “I don’t look like that.” And Picasso replied, “You will.” And he was right.
One day, to everyone’s astonishment, someone drops a match in the powder keg and everything blows up.
Nothing is more desirable than to be released from an affliction, but nothing is more frightening than to be divested of a crutch.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
To act is to be committed, and to be committed is to be in danger.
A real writer is always shifting and changing and searching.
The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived -- nor could it, for that matter, be said that they had died-- through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain. The great question that faced him this morning was whether or not had had ever, really, been present at his life.
All racists are irresponsible.
The responsibility of a writer is to excavate the experience of the people who produced him.
To be with God is really to be involved in some enormous, overwhelming desire, and joy, and power which you cannot control, which controls you.
Education is indoctrination if you're white - subjugation if you're black.
People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen forget.
I really do believe in the New Jerusalem. I really do believe that we can all become better than we are. I know we can. But the price is enormous and people are not yet willing to pay it.
True rebels after all, are as rare as true lovers,and in both cases, to mistake a fever for passion can destroy one's life
You write in order to change the world ... if you alter, even by a millimeter, the way people look at reality, then you can change it.
All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.
Man cannot live by profit alone.
There is something terribly radical about believing that one's own experience and images are important enough to speak about, much less to write about and to perform
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