There's such a gulf between yourself and who you were then, but people speak to that other person and it answers; it's like having a stranger as a house guest in your skin.
I could never work out whether we were to view religion as a life-insurance policy or a life sentence. I can understand a wrathful God who'd just as soon dangle us all from a hook. And I can understand a tender, unprejudiced Jesus. But I could never quite feature the two of them living in the same house. You wind up walking on eggshells, never knowing which... is at home at the moment.
Our house is like an empty cigarette packet, lying around reminding you what's not in it.
Terms like that, 'Humane Society,' are devised with people like me in mind, who don't care to dwell on what happens to the innocent.
The important thing isn't the house. It's the ability to make it. You carry that in your brain and in your hands, wherever you go.
I rarely think of poetry as something I make happen; it is more accurate to say that it happens to me. Like a summer storm, a house afire, or the coincidence of both on the same day.
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
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