Neil Gaiman Quotes About Eyes

Quotes about: Eyes

Adventure Age Aliens Angels Art Babies Belief

She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.

Neil Gaiman

Stars, Sadness, Eye

Neil Gaiman (2007). “Neil Gaiman and Charles Vess's Stardust: Being a Romance Within the Realms of Faerie”, Vertigo
Let us begin this letter, this prelude to an encounter, formally, as a declaration, in the old-fashioned way: I love you. You do not know me (although you have seen me, smiled at me). I know you (although not so well as I would like. I want to be there when your eyes flutter open in the morning, and you see me, and you smile. Surely this would be paradise enough?). So I do declare myself to you now, with pen set to paper. I declare it again: I love you.

Neil Gaiman

Love, Morning, Eye
Fiction gives us empathy: it puts us inside the minds of other people, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.

Neil Gaiman

Lying, Eye, People

Neil Gaiman (2016). “The View from the Cheap Seats: Selected Nonfiction”, p.175, Hachette UK
It is said that scattered through Despair's domain are a multitude of tiny windows, hanging in the void. Each window looks out onto a different scene, being, in our world, a mirror. Sometimes you will look into a mirror and feel the eyes of Despair upon you, feel her hook catch and snag on your heart.

Neil Gaiman

Heart, Eye, Mirrors

"Sandman #21: 'Season of Mists'". DC Comics series by Neil Gaiman, preludium, 1992.
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth.

Neil Gaiman

Real, Moving, Eye

Neil Gaiman (2010). “Neverwhere”, p.64, Hachette UK
She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood. She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here.

Neil Gaiman

Passion, Eye, Thinking
THE MAGIC AND THE DANGER OF FICTION IS THIS: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong.

Neil Gaiman

Eye, Thinking, People

FaceBook post by Neil Gaiman from Sep 17, 2011
All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.

Neil Gaiman

Cat, Eye, Past

"Dream Country (The Sandman, Book 3)". Book sub-series by Neil Gaiman, July – October 1990.
The best advice I can give on this is, once it's done, to put it away until you can read it with new eyes. Finish the short story, print it out, then put it in a drawer and write other things. When you're ready, pick it up and read it, as if you've never read it before. If there are things you aren't satisfied with as a reader, go in and fix them as a writer: that's revision.

Neil Gaiman

Writing, Eye, Giving
I have a feeling,’ he said, ‘I have a feeling that we were meant to be together. That we have fought the good fight, side by side, in the past or in the future, I do not know. I am a rational man, but I have learned the value of a good companion, and from the moment I clapped eyes on you, I knew I trusted you as well as I do myself. Yes, I want you with me.

Neil Gaiman

Eye, Fighting, Past

Neil Gaiman, Steven-Elliot Altman, Brian Stableford (2003). “Shadows Over Baker Street”, p.15, Del Rey
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

Neil Gaiman

Book, Eye, Looks

"American Gods". Book by Neil Gaiman, June 19, 2001.
They were kissing. Put like that, and you could be forgiven for presuming that this was a normal kiss, all lips and skin and possibly even a little tongue. You'd miss how he smiled, how his eyes glowed. And then, after the kiss was done, how he stood, like a man who had just discovered the art of standing and had figured out how to do it better than anyone else who would ever come along.

Neil Gaiman

Art, Eye, Kissing

Neil Gaiman (2005). “Anansi Boys”
You see with your eyes. This means you can be misled by charm, by outward appearance. By webs of glamour, by surface pretences. I do not see with my eyes. I see good and I see evil. Nothing else.

Neil Gaiman

Mean, Eye, Evil
She's not dead. You didn't kill her, nor did the hunger birds, although they did their best to get to you through her. She's been given her ocean. One day, in its own time, the ocean will give her back.I thought of corpses and of skeletons with pearls for eyes. I thought of mermaids with tails that flicked when they moved, like my goldfishes' tails had flicked before my goldfish had stopped moving, to lie, belly up, like Lettie, on the top of the water. I said, 'Will she be the same?

Neil Gaiman

Lying, Ocean, Moving
They kissed for the first time then in the cold spring rain, though neither one of them now knew that it was raining. Tristran's heart pounded in his chest as if it was not big enough to contain all the joy that it held. He opened his eyes as he kissed the star. Her sky-blue eyes stared back into his, and in her eyes he could see no parting from her.

Neil Gaiman

Stars, Spring, Rain

Neil Gaiman (2007). “Neil Gaiman and Charles Vess's Stardust: Being a Romance Within the Realms of Faerie”, Vertigo
There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.

Neil Gaiman

Eye, Simple, Blue

Neil Gaiman (2009). “Neverwhere: A Novel”, p.7, Harper Collins
If you were to try and pick him out of a group of boys, you’d be wrong. He’d be the other one. Over at the side. The one your eye slipped over.

Neil Gaiman

Eye, Boys, Trying

Neil Gaiman (2009). “Fragile Things: Short Fictions and Wonders”, p.35, Harper Collins
Never a possession, always the possessor, with skin as pale as smoke, and eyes tawny and sharp as yellow wine: Desire is everything you have ever wanted. Whoever you are. Whatever you are. Everything.

Neil Gaiman

Wine, Eye, Yellow

"Season of Mists (The Sandman #21: Prologue)". Book by Neil Gaiman, December 1990 – July 1991.
There are some dogs which, when you meet them, remind you that, despite thousands of years of man-made evolution, every dog is still only two meals away from being a wolf. These dogs advance deliberately, purposefully, the wilderness made flesh, their teeth yellow, their breath a-stink, while in the distance their owners witter, "He's an old soppy really, just poke him if he's a nuisance," and in the green of their eyes the red campfires of the Pleistocene gleam and flicker.

Neil Gaiman

Dog, Distance, Eye

"Good Omens". Book by Neil Gaiman and Terry Pratchett, 1990.
So, having found a lady, could you not have come to her aid, or left her alone? Why drag her into your foolishness?' 'Love,' he explained. She looked at him with eyes the blue of the sky. 'I hope you choke on it,' she said, flatly.

Neil Gaiman

Eye, Blue, Sky

Neil Gaiman “Neil Gaiman and Charles Vess' Stardust #3”, Vertigo
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.

Neil Gaiman

Jesus, Lying, Eye
You know that I love you." And despite herself, Coraline nodded. It was true. The other mother loved her. But she loved Coraline as a miser loves money, or a dragon loves its gold. In the other mother's button eyes, Coraline knew that she was a possession, nothing more. A tolerated pet, whose behavior was no longer amusing.

Neil Gaiman

Mother, Love You, Eye

"Coraline". Book by Neil Gaiman, January 24, 2002.
My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat.

Neil Gaiman

Wall, Ocean, Sleep
It’s not that they’re small, the fair folk. Especially not the queen of them all, Mab of the flashing eyes and the slow smile with lips that can conjure your heart under the hills for a hundred years. It’s not that they’re small. It’s that we’re so far away.

Neil Gaiman

Queens, Heart, Eye
Eyes as black and as shiny as chips of obsidian stared back into his. They were eyes like black holes, letting nothing out, not even information.

Neil Gaiman

Eye, Black, Information

Neil Gaiman (2005). “Anansi Boys”

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Born: November 10, 1960
Occupation: Author
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