The world was a world of dreaming souls who could not die.
The fact is, there's a great deal of hair-splitting fussiness when it comes to fly-fishing, most of it as silly as a top hat.
I was very much a child of the Cold War.
So, whenever I'm writing, I'm writing in the presence of all the other books I've read and I think we all are.
I like creating villains.
I was a 'Planet of the Apes'-obsessed kid.
It was what you did, Wolgast understood; you started to tell a story about who you were, and soon enough the lies were all you had and you became that person.
He breathed once more, holding the air in his chest, as if it were not air but something more--a sweet taste of freedom, of all cares lifted, everything over and done.
I saw my one purpose in that moment, looking into that little girls eyes. I was the one who was meant to save her, that was my one purpose all this time.
The sadness you feel is not your own. It's his sadness you feel in your heart, Amy, for missing you.
The military was all about hierarchies, who urinated highest on the hydrant
Before she became the Girl from Nowhere-the One Who Walked In, the First and Last and Only, who lived a thousand years-she was just a little girl in Iowa, named Amy. Amy Harper Bellafonte.
Here she was, a women who could bolt-load a crossbow in under a second, put half a dozen long arrows in the air in fewer than five, blade a target dead through the sweet spot at six meters, on the run, on an off day; and yet knitting a pair of baby booties seemed completely beyond her power.
My inventing time is all done under the influence of aerobic exercise. Basically, I do all my thinking while I run.
That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
I'm an ecumenical reader, grew up with all sorts of fiction, teach writing, went to the Iowa Writers' Workshop, so my tastes and interests are broad.
I think many years ago I got on a bus in L.A. and drove around to see the stars' homes, but that's the extent of my direct experience in Hollywood.
When you write, you take the ball and you hold it up to the light and you turn it slowly, and let people draw their own conclusions. And try to bring empathy to all sides of the equation.
It was possible, he understood, for a person's life to become just a long series of mistakes, and that the end, when it came, was just one more mistake in a chain of bad choices. The thing was, most of these mistakes were actually borrowed from other people. You took their bad ideas, and for whatever reason, made them your own.
She remembered no one at all. She remembered one day thinking: I am alone. There is no I but I. She lived in the dark. She taught herself to walk in the light, though it was not easy.
I came to Houston for a job, the reason most people move halfway across the country with a first grader and a five-week-old. I came here to teach at Rice.
Writers who pretend that everything they're doing is completely new are full of it.
Writing is a job: you must show up.
Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.
I tend to start at 9 o'clock in the morning and write until 3. Those are my best hours. They fit the other rhythms of the world. So I write for six hours, pretty much without any breaks.
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