The true index of a man's character is the health of his wife.
While thoughts exist, words are alive and literature becomes an escape, not from, but into living.
All charming people have something to conceal, usually their total dependence on the appreciation of others.
The secret of success is to be in harmony with existence, to be always calm to let each wave of life wash us a little farther up the shore.
Vulgarity is the garlic in the salad of charm.
Literature is the art of writing something that will be read twice; journalism what will be grasped at once.
In the sex war, thoughtlessness is the weapon of the male, vindictiveness of the female.
Slums may well be breeding grounds of crime, but middle class suburbs are incubators of apathy and delirium.
Our memories are card indexes consulted and then returned in disorder by authorities whom we do not control.
We must select the illusion which appeals to our temperament, and embrace it with passion, if we want to be happy.
As repressed sadists are supposed to become policemen or butchers so those with an irrational fear of life become publishers.
Greed, like the love of comfort, is a kind of fear.
Idleness is only a coarse name for my infinite capacity for living in the present.
When we have ceased to love the stench of the human animal, either in others or in ourselves, then are we condemned to misery, and clear thinking can begin.
The worst vice of the solitary is the worship of his food.
No taste is so acquired as that for someone else's quality of mind.
Imprisoned in every fat man a thin one is wildly signalling to be let out.
It is a mistake to expect good work from expatriates for it is not what they do that matters but what they are not doing.
The civilized are those who get more out of life than the uncivilized, and for this we are not likely to be forgiven.
Civilization is maintained by a very few people in a small number of places and we need only some bombs and a few prisons to blot it out altogether.
When young we are faithful to individuals, when older we grow loyal to situations and to types.
The true function of a writer is to produce a masterpiece and no other task is of any consequence.
Words today are like the shells and rope of seaweed which a child brings home glistening from the beach and which in an hour have lost their luster.
Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.
Nothing dates like hate and in literature a little of it goes a very long way.
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