The English language is like a broad river on whose bank a few patient anglers are sitting, while, higher up, the stream is being polluted by a string of refuse-barges tipping out their muck.
Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.
An author arrives at a good style when his language performs what is required of it without shyness.
The American language is in a state of flux based upon survival of the unfittest.
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