I was crazy about the song "Doot Doot," so I usually love this genre of weird, European electronic.
I love Wilco's "I'm the Man Who Loves You." Nels Cline has that weird guitar slide at the beginning and the song is whispered actually.
I don't like to criticize music and I had a really hard time picking out the song I hate for this because I end up seeing and working with musicians all the time.
All the songs on Yankee Hotel Foxtrot are the encapsulation of heterosexual love. I have different records for gay sex.
I have a song about how much I hate emojis and the lazy thinking of people who use them. I wish that more people had respect for the English language.
It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
I'm super-obsessed with 'Intervention.' I wrote a song about it.
I was about 17 or 18 and there were a lot of clubs and dancing. It was the beginning of rave culture and a lot of ecstasy. Because of all the drugs, there are certain songs that make me feel high.
As a child, I had a lot of older gay men taking care of me. There's a trust there. I feel like little girls and old gay men together - there's a safety. They make a shield from all of the bad things they've experienced in the world. They make a home together. There are no songs about that. I don't know if you remember, but there was a show a long time ago called 'Love, Sidney.'
If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
Your goal is to write that masterpiece. Yello's masterpiece was "Oh Yeah." Whatever I say about the song doesn't matter, because it has a huge impact on how we remember the era.
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